An emergency public meeting hosted by sound adventurer Matana Roberts features the voices of concerned NYC artists on the grand jury verdict of Eric Garner. This is an opportunity for open dialogue in the arts community around problems of policing in urban space.

Raúl De Nieves presents DE FEET N JOY a pop-up “shoe store” and sculptural installation transforming the lobby of our 22 Boerum Place theater, on weekdays Dec 10-19. Derived from, and often worn in the artist’s performances, the objects present new ideas on the practicality of sculpture and installation.

Originally commissioned as a 5-minute piece, over 20 years, "12 Stations" evolved into a challenging 6 1/2 hour epic; a deep, spiritual journey that is considered a central work of Rózmann’s oeuvre. Thematically the work draws on the Tibetan Wheel of Life, and reflects Rózmann's deep interest in Tibetan Buddhism.

Raúl De Nieves closes his 2014 ISSUE Residency with "Heel Yourself", an immersive 20-channel audio installation built from the sounds of ABBA's 1979 classic "Voulez Vous", mixed live from vinyl simultaneously by 20 turntables. The night includes live performances by Sadaf H. Nava and Whitney Vangrin.

Swedish Energies closes at ISSUE with raw synthesis & video by Maria w Horn, Stephen O’Malley, doom-metal legend of Sunn O)))) fame, solo, Kristina Matousch exploring themes of digestion and eroticism, Leif Elggren & Kent Tankred as The Sons of God, and Ellen Arkbro, who draws on minimalism and just intonation.

Swedish Energies returns to ISSUE with a massive bill including sound artist Jenny Sunesson, saxophonist Christine Abdelnour duo with Joachim Nordwall (The Skull Defekts), Daniel Rozenhall collaboration with designer Sten Backman, Frederikke Hoffmeier (aka Puce Mary), and the notorious Carl Michael von Hausswolff.

Peter Evans closes his 2014 residency with a solo trumpet performance. Improvisation is used as a method of pressurizing and slowly refining materials from concert to concert; a process of using the known as a catapult to the unknown that is a central focus of Evans' residency and work in general.

All tickets are SOLD OUT! ISSUE is pleased to welcome back rock icon Kim Gordon performing in a special first-time duo with the legendary Brooklyn-based guitarist Loren Connors. Electro-rocker Gary War, recently residing in New Zealand, opens the night.

Composer Madalyn Merkey creates a new site-specific work for ISSUE's theater, combining live synthetic sound and acoustic violin to create inner-ear occurrences. Battle Trance perform their album-length work Palace of Wind, a stunning composition for four tenor saxophonists. ISSUE Member party precedes the show at 7pm.

PRE-SALE SOLD OUT, limited door tickets! Artist-in-Residence Raúl De Nieves & Colin Self premiere their new chamber opera, "The Fool." A four-act work for chorus and string-ensemble, "The Fool" is a mystical and allegorical journey performed by a group of friends on a quest to unite themselves one with the other.

One of the most finely tuned ears in music, Berlin's Rashad Becker uses real-time synthesis and sampling techniques, setting intricate sonic worlds into motion. Percussionist/composer and fellow PAN artist Eli Keszler debuts a new trio work featuring Tom Chiu, violin, and Leila Bordreuil, cello.

A benefit for ISSUE, acclaimed electronics duo Matmos perform scenes from Robert Ashley's groundbreaking television-opera "Perfect Lives", with opening performance by HARIBO. They present the first and final acts, “The Park”, featuring string ensemble, and “The Backyard”, both accompanied by new video work.

Piano/percussion quartet Yarn/Wire premiere a new piece by German experimentalist Marcus Schmickler, a microtonal score for keyboards and mallets, juxtaposing fixed pitch with pitch continua. Schmickler also presents a new eight-channel electronics work, tracing parallels between linguistics and sound.

Among Japan’s most adventurous filmmakers, Takashi Makino is known for hallucinatory, non-linear films that treat and sound with equal importance. Tonight he presents "Space Noise 3D", an immersive live cinema work for 16mm and video, preceded by three short films, all featuring the music of Jim O’Rourke.

Solo sets by both artists accompany a new interpretation of John Cage's "Williams Mix" (1952) by Werner Dafeldecker and Valerio Tricoli, approaching the score from a contemporary perspective. In the context of digital audio and live instrumental performance, the work draws on a library of over 2000 pre-recorded sounds.

Liz Harris (Grouper) and Paul Clipson present the NY premiere of HYPNOSIS DISPLAY, an evening-length original live sound and 16mm film collaboration exploring impressionistic, emotional and sensory environments found within the vast natural and urban landscapes of America.

An opera scene by Paul Pinto features renowned vocalist Joan La Barbara as the posthumous spirit of Thomas Paine. Gelsey Bell’s "Weight", written for Ne(x)tworks and ISSUE's theater, receives its world premiere. Miguel Frasconi’s "Sun Studies", interprets The Cantilever Rainbow, a poetic and visual text from 1965.

David Georgi, James Hoff, Jason Napoli-Brooks, Luc Sante and Donald Nicholson-Smith read from recent translations of important historic crime novels, poetry, and political writing, as well as contemporary pulp genre experiments that celebrate all forms of deviation, criminality and antisocial sentiments.

Our two-night spotlight on the Kye record label closes with a solo performance by improvising violinist Malcolm Goldstein, and Kye label-head Graham Lambkin duo with James Rushford. Lambkin also presents a tape piece by Henning Christiansen, a Danish composer and an active member of the Fluxus-movement.

Percussion and keyboard quartet Yarn/Wire perform with an assemblage of acoustic, modified, electronic, and handmade instruments, presenting the result of close collaborations with an international array of experimental composers: Ann Cleare, Chiyoko Szlavnics, and Øyvind Torvund.

Clarinetist Carol Robinson and trumpeter Nate Wooley give American and World Premieres of new works by iconoclastic French composers Denis Dufour and Eliane Radigue. Radigue's "Occam" pieces are part of a substantial set of new works composed with a small group of the world’s finest contemporary musical voices.

Keiji Haino, prolific icon of Japanese experimentalism, returns to ISSUE with a solo percussion set. He is joined by experimental rock outfits xNOBBQx and X Wave, two high-energy groups out of Brisbane, the heart of Australia's underground.

Legend of the Japanese underground Keiji Haino returns to Brooklyn, taking the stage in a special duo with Tony Conrad. These master improvisers of experimental music first joined forces in 2006, this is their first NY duo appearance since 2009. The dynamic and raw improvising cellist Okkyung Lee opens the evening.

The artistic alter ego of Tori Kudo, Maher Shalal Hash Baz are a fluid large ensemble of untrained musicians that create arresting indie-pop embracing error, structure, and structurelessness. Accordionist and vocalist à qui avec Gabriel creates stark, ethereal and whispering melodies evoking European folk.

Minor Musics Japan opens with Ché-Shizu, an improv-folk group led by Chie Mukai. Since 1981 they have recontextualized folk instruments and electronics in spontaneous actions that are lyrical, compelling, and endearingly unpolished. Mukai also plays duo with LLILW GRAY, alias of No-Neck Blues Band's Keith Connolly.

Chie Mukai leads an improvisation workshop, sharing experiences from thirty years of site-specific performance and improvisation. This workshop continues a teaching practice begun in 2001, it is free and open to 25 practitioners of sound and movement (RSVP required), and also to an audience of observers.

A lovechild of the home recording era, Kubin is among electronic music's most versatile performers, with activities spanning pop, radio plays, electroacoustic music, and works for chamber orchestra. Kubin's music is saturated with enthusiasm for disharmonic pop, industrial noise, and the 20th-century avant-garde.

Acclaimed cellists Charles Curtis and Judith Hamann perform Los Angeles-based composer Tashi Wada's Duets for cello, a NY premiere in anticipation of their forthcoming recorded release. The program also includes Curtis performing works for solo cello by Alvin Lucier, JS Bach, and Luigi Dallapiccola.

Esteemed composer and Fluxus artist Yoshi Wada makes a rare NYC appearance accompanied by his son, composer Tashi Wada. Together, they present an expansive duo performance using a unique mixture of acoustic and electronic instruments including: sirens, alarm bells, audio generators, bagpipes and reed organ.

Electronics manipulator Tim Goss, formerly of the Shadow Ring, appears with Call Back the Giants, an inter-generational duo with his daughter, Chloe Mutter. Vanessa Rossetto conjures evocative visual-soundscapes in a duo with guest TBA. Matt Krefting presents his refined, textural soundscapes in a solo performance.

A newly commissioned opera by Elliott Sharp depicts the final moments of philosopher Walter Benjamin’s life in Port-Bou at the French-Spanish border as he flees Nazi-occupied France. Bass/baritone Nicholas Isherwood stars with pianist Jenny Lin, accordionist William Schimmel, and electro-acoustic backgrounds by Sharp.

A verified legend of African music, Ahmed led the wave of Ethiopian music’s 'golden age' of the 60s-70s with a notoriously energetic combination of traditional Amharic music with soul, jazz & funk. His stunning multi-octave voice has made him an international star for 40 years, despite relative obscurity in the US.

This all-day indoor/outdoor show crosses metal, noise and experimental electronics, headlined by Liturgy— their first reunited show as a quartet— alongside Californian post-metal duo Wreck and Reference, extreme-noise group White Suns, and noise/electronic artist Kyle Eyre Clyd, alias Penny Royale.

A shadow puppet play by Cary Loren (Destroy All Monsters) and Tom Carey, "The Legend of Mothman" brings the details of alien existence to light, a humorous fantasy mixed with pop-culture lore, set during Halloween in post-industrial Detroit. Sound by concept band Monster Island. Free show for children at 3pm.

This event marks Kev Bewersdorf's first public reading of his poetry, exploring themes of the internet and inspired in part by his Taoist practice. The New York launch of Bunny Rogers' Cunny Poem Vol. 1 includes sculpture, music, and poetry with contributions by Brigid Mason.

Best known as a member of the Sun City Girls, Sir Richard Bishop is master guitarist whose improvisations effortlessly absorb sounds of India, the Middle East, North Africa and others into a highly original body of work. A Bhutanese guitarist based in Asheville, Tashi Dorji's revelatory style is unbound by tradition.

Part of Movement Research's "Fallow Time" Festival, "Prepared Field" is an evening that invites multiplicity in the sensory and self. Graze on performance, sculpture and film that bump up against the festival’s themes. Lily Gold, Macklin Kowal, Zavé Martohardjono, Honey McMoney & more perform.

Composer William Basinski has been active for over three decades, creating a vast body of haunting and melancholic soundscapes that have secured his place as an icon of contemporary ambient music. Tonight he performs solo, returning to ISSUE with the New York premiere of his recent evening-length work "Cascade".

Composer Pat Spadine's Ashcan Orchestra perform their two-act chamber opera Apollo's Accidental Answer in it's entirety for the first time. Re-imagining of the ancient myth of Cassandra, the work presents an eyewitness account of the evolution of the universe, over a sculptural backdrop of televisions.

This special evening hosted by Marc Ribot and Howard Wolfson benefits the Frantz Casséus Young Guitarists Program in Port-Au-Prince, Haiti with a program of works by and in tribute to the great composer and teacher. Marc Ribot, along with other disciples and collaborators of Casséus.

A special presentation of Feldman's rarely heard 4 1/2 hour epic, "For Philip Guston", culminates Either/Or's tenth-anniversary festival. This will be a rare performance of a masterwork of 20th century experimentalism, balancing the timbral beauty of this unique ensemble with Feldman's inimitable sense of scale.

For their first performance at ISSUE the Peter Evans Quintet debuts five new compositions by Evans including pieces dedicated to biologist Lynn Margulis and musician/composer Alice Coltrane, in addition to improvisatory platforms for the unique playing styles of the band members.

Francisco López makes a rare NY appearance creating an immersive sonic experience in the dark, with multi-channel sound and blindfolded audience. Taylor Deupree and Stephen Vitiello, label-mates and collaborators, perform a unique duo featuring modular synthesizers, field recordings and guitar.

This evening showcases performers of the Vin Du Select Qualitite, or VDSQ label, an acoustic guitar LP series curated by Steve Lowenthal of Swingset Magazine and Plastic Records. Bill Orcutt, Glenn Jones, Mark McGuire, Matthew Mullane and Anthony Pasquarosa perform, celebrating new and forthcoming releases.

A unique presence in underground culture for the past twenty years, multidisciplinary artist Graham Lambkin makes a rare solo appearance to celebrate the opening of his solo exhibition at AVA. With support from Devin DiSanto, who explores presence in incidental sound and labor-oriented approaches to performance.

Van Alen Institute’s Spring 2014 Events launch at ISSUE with a fast-paced medley of music, poetry, personal reflections, conversations, and performances by designers, artists, musicians, writers, social scientists, and others exploring the meaning of well-being, and the effects of the city on our minds and bodies.

Berlin-based Danish sound artist Jacob Kirkegaard presents ISFALD, a recent immersive solo soundwork. The piece features the sounds of ice, recorded with underwater microphones at the Ilulissat icefjord and with vibration sensors at the melting glaciers of Kangerlussuaq, Greenland in June 2013.

Tectonics concludes highlighting works by Eric Richards, a little-known but influential avant-garde composer. Hildur Guðnadóttir, acclaimed cellist known for collaborations with múm and Pan Sonic, plays solo. Alvin Lucier plays two works with Jenny Lin, and Baritone Jeffrey Gavett plays Lucier, Scelsi and others.

The second day of Tectonics Festival turns attention to Harley Gaber. His monumental "The Winds Rise in the North", a pillar of American minimalism, is performed here by a quintet including extraordinary string players Conrad Harris, Pauline Kim, Esther Noh, Alex Waterman and Erin Wight.

A panel on the late Harley Gaber’s life and works is moderated by composer Eric Richards, featuring guests Paul Paccione, Ned Sublette and Bill Hellerman.

Alvin Lucier’s "Criss Cross" opens Tectonics, performed by two pillars of experimental rock: Stephen O’Malley and Oren Ambarchi. The guitarists and ensemble play Iancu Dumitrescu and premiere a piece by Eyvind Kang. Crys Cole and Jessika Kenney play solo sets, Kenney and Kang play Giacinto Scelsi.

LOCATION CHANGED! ISSUE, The Wick & desertshore present Nazoronai in their first NY show. A recent collaboration of the legendary Keiji Haino, Stephen O’Malley and Oren Ambarchi, Nazoranai unites 3 extraordinary operators of doom, noise and power electronics. With support from Robert Aiki Aubrey Lowe AKA Lichens.

Yarn/Wire/Currents continues with premieres of newly commissioned works for piano/percussion quartet Yarn/Wire by Christopher Trapani and Pete Swanson. Trapani explores the concept of stopping time, Swanson, in his second collaboration with the ensemble, forays into the intersection of electronic and acoustic sound.

An evening of anecdotes and admiration celebrates the life and work of Muriel Spark in anticipation of a forthcoming collection of her essays and 8 republished novels (New Directions). With authors and editors Barbara Epler, Maud Newton, Sadie Stein, Emily Stokes and Thessaly LaForce with moderator Michael Barron.

A combination of folk chanteuse and noise maven, Chicago-based Circuit des Yeux AKA Haley Fohr’s sound vacillates seamlessly between lo-fi and effortless-sounding songwriting sophistication. She appears alongside solo sets by Tsembla and Kuupuu, two experimental artists at the center of Finland's psych-folk scene.

The US Premiere of Evan Calder Williams' film "Violent X" features a live improvised soundtrack by Tokyo-based Taku Unami with Williams, joining a work of pulp and radical history to early instances of cinema narration and accompaniment. In a second set, Unami collaborates with Eugene Thacker and Jarrod Fowler.

Radical Danish artist Henning Christiansen’s performance work "Requiem of Art (NYC) Fluxorum Organum" receives its first NY presentation, in a new interpretation developed by Anton Lukoszevieze, who leads the superb Ne(x)tworks ensemble. The program includes works by Arne Nordheim, Shelley Burgon and Kristin Norderval.

Ultima closes with attention turned to composer Arne Nordheim. Acclaimed Nordic group Serena-Maneesh & vocal ensemble perform Somnambulism, a tribute to Nordheim's musical spirit. His "Flashing" is performed by outstanding accordionist Frode Haltli, alongside works by Magnar Åm, Aldo Clementi, and Hans Abrahamsen.

An afternoon concert pairs solo piano performances by the young Finnish musician Antti Tolvi and acclaimed composer/performer Lubomyr Melnyk, architect of the Continuous Music method. Both venture far outside the classical tradition, sharing an emphasis on the instrument's capacity for extended harmony and overtone.

Tomutonttu AKA Finnish sound artist Jan Anderzén (Kemialliset Ystävät) returns to ISSUE for a rare US show— an ecstatic combination of reed streams, mutilated voices, groovy animal noises. Italian free jazz combo Jooklo Duo collaborate with guitarist Bill Nace, best known as half of Body/Head.

ISSUE and WSB100 present a celebration of the legacy of William S. Burroughs during the 100th anniversary of the writer's birth. Actor, director, and writer Steve Buscemi and composer/multi-instrumentalist Elliott Sharp collaborate, creating a collage of sound and words from texts by William Burroughs.

Berlin-based Danish sound artist Jacob Kirkegaard presents Faust and other works by the pioneering electronic musician Else Marie Pade (not present). Acclaimed piano/percussion quartet Yarn/WIre perform works by composers Øyvind Torvund, Simon Steen-Andersen and Anna Thorvaldsdottir/Sigurdur Gudjonsson.

Leftfield British electronics producer Mark Fell presents a tonal mix of extended duration including new and unreleased works by himself as well as references to the various traditions that have informed his practice, establishing a dialogue between techno, the American minimalists and tonal spectralism.

Catherine Christer Hennix appears alongside her Berlin-based just intonation ensemble Chora(s)san Time-Court Mirage as part of Ultima. In their first-ever US performance the group premieres Blues Alif Lam MimM, intended to reveal the blues' origins in the eastern musical traditions of raga and maqam musics.

“Damaged Particulates (undersong edition)” is a new exploration of sub bass created by one the most prolific sound artists and electronic musicians in New York today, Ben Vida. Low frequencies will be transmitted directly to your body through seat-backs equipped with SubPac, a high-fidelity tactile audio system.

A special presentation of Demdike Stare’s audio-visual work “Concealed” is performed the Sinfonietta Cracovia players. Phill Niblock presents and solo work as well as "Unipolar Dance" for two violins. Stara Rzeka, a key player in Poland’s experimental scene offers "magical brutalism", blurring black metal and ambient.

Unsound closes with a spotlight on Bocian Records. Kaptial merge electro-acoustics and psychedelic guitar. James Rushford & Joe Talia engage a palette of extended instrumental timbre and submerged synthesizers. Master Norwegian free jazz drummer Paal Nilssen-Love plays solo.

An evening exploring relationships of wind and electronics: Chicago's Coppice uncover sonic textures and compositional ideas peculiar to their unique setup of bellows and electronics. They are joined by Anne Guthrie and Richard Kamerman, a compositional collaborative whose long-form works emerged recently via ErstAEU.

An afternoon percussion concert is headlined by Sean Meehan & Ben Manely, veterans of the NY scene since the 80s, who improvise duo. Warsaw-based Hubert Zemler plays solo, crossing new music, world music and improvisation. Norway’s Håkon Stene performs works by Lars Petter Hagen and Michael Pisaro.

ISSUE & Antholgy team up for an eclectic/electric evening with Jason Lescalleet, one of America’s most dedicated sound artists. Lescalleet commissioned 13 artists to create videos for the 13 tracks on the first disc of "Songs About Nothing", tonight features the audio-visual album plus shorts by collaborators.

UNSOUND OPENING NIGHT: Oren Ambarchi presents a live version of “Knots” featuring percussionist Joe Talia and violist James Rushford leading the Sinfonietta Cracovia players. Spanish computer-music outfit EVOL premiere a new reinterpretation of conceptual artist and composer Hanne Darboven's legendary piece "Opus 17a".

ISSUE Project Room hosts a very special benefit party and concert to support 3 Operas by legendary American composer Robert Ashley, to premiere this April at the Whitney Biennial. Peter Gordon, Ned Sublette, Elio Villafranca and Alex Waterman perform solo sets.

ISSUE & Representing NYC host an evening of innovative performance by New Yorkers ages 5 to 75. Students hailing from Bedstuy, Bushwick, Corona, and Elmhurst, present performance works developed at the Arts and Literacy after school program, joined by Charles Gayle, Mantra Percussion, Nuit Blanche, and ESP TV.

Guitarist Alan Licht and percussionist Brian Chase (Yeah Yeah Yeahs) celebrate the release of their debut album "We Thought We Could Do Anything". Outstanding improvisors and guitarists Mary Halvorson and Joe Morris perform duo.

David Grubbs reads from "Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording", his long-awaited study of the role of sound recordings in representing experimental music of the 1960s. Grubbs is joined in discussion by a "jukebox jury" including Branden W. Joseph, Lisa Kahlden, and Marina Rosenfeld.

Chris Brown, piano, Suzanne Thorpe, flute, and Nate Wooley, trumpet, perform improvised electroacoustic music using timbres and textures that emerge from extended instrumental techniques and live electronic transformation. Composer Alexandra Gardner presents two compositions for solo instruments and electronics.

ISSUE is pleased to present the inimitable Charlemagne Palestine in his first-ever NY organ performance. A self-described “maximalist composer”, Palestine originally developed his organ technique in 1964. Tonight he performs on one of NYC's most distinctive instruments: the Aeolian-Skinner organ at Plymouth Church.

The String Orchestra of Brooklyn performs the World Premiere of four new works by young composers at the forefront of composition and improvisation: Eli Keszler, Catherine Lamb, Zach Layton, and Doron Sadja. Now in its third edition, this year's "String Theories" is presented in collaboration with Roulette.

Formed in 2005, the trio of Michael Snow, Alan Licht and Aki Onda achieves the all-too-rare alchemy of strong separate identities and shared aesthetics into a holistic unit. Snow, who began his career as a pianist, performs on the CAT synthesizer, with Licht on guitar and Onda on cassette recorders and electronics.

Composers collective West 4th New Music and Contemporaneous join forces with MATA to create an evening-length oratorio inspired by Herman Melville’s classic Moby Dick. With a libretto adapted from the original text, the composers of W4 collectively explore Melville's literary themes. With visuals by artist Andy Cahill.

Electronic artists Chris Madak (Bee Mask) and Fabric's atmospheric synth compositions have emerged from corners of the midwest to international acclaim through many consistently auspicious, sculpted releases. Solo sets from each guarantee a night of hypnotic sounds with a contrarian bent.

Combining a palette of sources from early Chicago house mixtapes through to musique concrète and psychedelia, Heatsick proposes a live dance music that expands and unlocks the senses. Ned Rothenberg performs solo improvisations, engaging a range of wind instruments as melodic, rhythmic and harmonic engines.

ISSUE is pleased to host an evening with three extraordinary singer songwriters: Josephine Foster, Victor Herrero and Ed Askew. Outsider folk legend Askew plays new songs with his trio, joined at times by Foster and Herrero, who each perform solo sets.

An evening of improvised duets featuring Marina Rosenfeld closes electronic composer Ben Vida’s 2013 residency. A leading voice in the increasing hybridization between the domains of visual art and music, Rosenfeld performs on turntables. Vida plays a digital/analog hybrid synth.

ISSUE is proud to present legendary folk artist Dave Bixby in his first ever NY concert. Absent from the scene after two haunting LPs in 1969, Bixby's whereabouts were rediscovered in 2006 with re-releases to follow. Tonight at ISSUE he performs iconic records “Ode to Quetzalcoatl” and “Second Coming" in full.

Peter Evans opens his 2014 residency with a solo trumpet performance, a format he has been working with for over a decade. Improvisation is used as a method of pressurizing and slowly refining materials from concert to concert, a process of using the known as a catapult to the unknown.

POSTPONED DUE TO INCLEMENT WEATHER! A shadow puppet play by Cary Loren (Destroy All Monsters) and Tom Carey, "The Legend of Mothman" brings the details of alien existence to light, in a humorous fantasy, mixed with pop-culture lore, set during Halloween in post-industrial Detroit. Sound by concept band Monster Island.

Since 1981 BOMB Magazine has publishing conversations between artists, giving a crucial voice to creative and critical practices of all genres. Tonight BOMB raises funds to make all content free, and to pay online contributors. With David Grubbs, Eli Keszler, C Spencer Yeh, Jules Gimbrone, Ben Lerner & Amy Sillman.

A seminal pioneer in the DIY ethic, R. Stevie Moore has recorded over 400 very original homemade albums of alarmingly idiosyncratic styles— tonight he performs unplugged. Bursting with electro-funk, synth rock, soul, and avant-garde jazz, Gary Wilson's songs celebrate the romance and randiness of born-losers.

SOLD OUT, tickets for Sunday still available. "This room this braid" premieres, a new work by choreographer devynn emory. Commissioned as part of ISSUE’s Artist-In-Residence program, the piece features devynn emory joined by dancer Aretha Aoki, with sound by Ryan MacDonald, and sets by painter RJ Messineo.