About ISSUE Project Room

About ISSUE Project Room

Little Carnegie…it cultivates a studied unpredictability…” – New York Magazine


Our Mission

ISSUE Project Room is a pioneering performance center, presenting time-based work by emerging and established experimental artists that expand the boundaries of creative practice and stimulate critical dialogue about art and culture in the broader community. ISSUE plays a vital role in NYC’s cultural ecology, facilitating the commission and premiere of new works and presenting a diverse array of artists working across and between the disciplines of sound, dance, film, performance and literature. Programming places an emphasis on bringing recognition to creative practitioners whose important contributions to the artistic field are underrepresented, often as a result of the artists’ gender, sexuality, or geographic location. Through the cultivation of innovative new work, ISSUE performs an essential research and development function that fosters a dynamic influx of ideas into the local, national, and international creative landscape.


Our Story

Since its inception in 2003 under the guiding vision of late founder Suzanne Fiol, ISSUE Project Room has maintained a flexible and ephemeral relationship with space and geography, occupying temporary homes including a garage in the East Village, a silo on the Gowanus Canal, and a third-floor loft in a former canning factory. In turn, ISSUE’s artistic programming and participating community have both mirrored and defined the small, intimate, and out-of-the-way nature of its occupied spaces.

In 2008, ISSUE was awarded a 20-year lease on a theater space in the historic 110 Livingston Street building in Downtown Brooklyn. Following a select number of special presentations in 2010-11, ISSUE commenced full-time programming in the new space in 2012. Offering a centralized location and an audience capacity more than double that of any previous space ISSUE had occupied, the new theater has helped facilitate a degree of publicity and awareness unique for our community of under-recognized artists.

In 2012, ISSUE completed a $4 million City-funded capital campaign to carry out necessary renovations to bring the space to code and adapt it for multidisciplinary performance. Working with NYC’s Department of Design and Construction, architect WORKac will complete design plans by the end of 2013. Renovations will begin in 2014, with a grand re-opening in 2015. Once renovated, the space will serve as Brooklyn’s first permanent home for experimental art and function as a critical catalyst for the cultural revitalization of Downtown Brooklyn.


Theater and Rennovation

Originally built in 1926 as the headquarters for the Benevolent & Protective Order of the Elks, the building features a limestone and terra cotta facade, with Renaissance-revival style features including balustrades, egg-and-dart ornamentation, Corinthian columns, and a 4,800 sq ft. theater space with 40-foot vaulted ceilings and rare perfect acoustics for chamber ensembles. In 1940, the building was converted to serve as the New York City Board of Education headquarters. In 2003, the City of New York sold the building to Two Trees Management LLC. Through a program of the New York City Economic Development Corporation, the theater space on the ground floor was reserved for use by a nonprofit cultural organization for 20 years. ISSUE Project Room was competitively selected and signed the lease in December 2008. In 2012, ISSUE moved programs and operations to the theater.

In 2012 ISSUE completed its capital campaign by raising over $4,000,000 to renovate its space into the last section. The 1926 theater is one of the few authentic European-style jewel box theaters in the United States designed for chamber music. ISSUE will maintain these rare perfect acoustics while expanding its capability for 21st century performance. Once renovated, the theater at 22 Boerum Place will be among New York's most versatile performance venues, with the flexibility to present works from diverse media.

Capital improvements will bring the theater to code as a 199-person theater space, including:

-Rehabilitative re-use of the historic theater for new media and contemporary performance
-Acoustic treatments to accommodate an expanded range of electronic and spoken sound
-Theatrical lighting and speaker systems
-HVAC, electrical, plumbing, fire, safety & sprinkler systems
-Artist green room, rehearsal space, and recording studio
-Box office and bar

ISSUE's theater is available for private rentals.


Our Founder

Suzanne Fiol (5/9/60 – 10/5/09)

Founder & Artistic Director

Suzanne Fiol was an extraordinary spirit, a force of nature and a prominent figure in the visual and performing arts worlds. As both a visionary artist and the founder of ISSUE Project Room, she created one of New York City’s premiere destinations for experimental culture and avant-garde performing arts— a legacy that will resonate for decades to come.

A native of New York City, Suzanne studied at Antioch College and completed her BFA at The School of the Art Institute of Chicago, before returning home to acquire her MFA from the Pratt Institute in Brooklyn, New York.

As a photographer, Suzanne has exhibited nationally and internationally. Her work was represented for several years by Ezra Mack and has appeared in many publications in the U.S. and abroad. Her photos can be found in many private collections and belong to permanent collections at The Art Institute of Chicago, The Brooklyn Museum, The Queens Museum and The Milwaukee Art Museum.

In 1985, Suzanne became Director of Sales at Light Gallery, NYC before launching the Donald Wren Gallery, NYC where she was named Director in 1987. She moved on to become the Sales Director at the Marcuse Pfeifer Gallery and the Brent Sikkema Gallery. During the fall of 2001, she met Jan-Willem Dikkers and Martynka Wawzyniak. Together they launched Issue Management, a photo agency that represents well-known art photographers such as Jack Pierson, Mitch Epstein, Richard Kern, Renee Cox and Marilyn Minter.

In February 2003, Suzanne founded ISSUE Project Room, an art and performance space on East 6th Street in the East Village. Shortly thereafter, ISSUE migrated to an iconic and beautiful silo in Brooklyn along the banks of the Gowanus Canal. Now located at 22 Boerum Place in the historic McKim, Meade, and White-designed 110 Livingston St. building in Downtown Brooklyn, ISSUE Project Room continues its mission as a performing arts center that provides artists and musicians with a dynamic environment in which to create innovative and challenging work. ArtForum has said, “Suzanne Fiol wanted to make a space for music, performance, and readings in a spirit of love and commitment and created one of the warmest and best-sounding venues in New York.” ISSUE has become one of the most beloved and important showcases for experimental culture in New York City.

On October 5th, 2009, Suzanne Fiol lost her courageous battle with cancer. She was loved deeply and missed by all.

Event

CANCELLED! Peter Jefferies

Wed, October 1, 2014 - 8:00pm

CANCELLED! Peter Jefferies helmed legendary New Zealand post-punk acts Nocturnal Projections and This Kind of Punishment through the 80s. His earthy baritone weaves between stripped-down piano and guitar, pulling in listeners to the deep pastoral life of his music.

Event

The Legend of Mothman & Spookhaus Apokalypse!

Sat, October 4, 2014 - 3:00pm
Sat, October 4, 2014 - 8:00pm

A shadow puppet play by Cary Loren (Destroy All Monsters) and Tom Carey, "The Legend of Mothman" brings the details of alien existence to light, a humorous fantasy mixed with pop-culture lore, set during Halloween in post-industrial Detroit. Sound by concept band Monster Island. Free show for children at 3pm.

Event

Space Noise: films of Takashi Makino

Wed, October 8, 2014 - 8:00pm

Among Japan’s most adventurous filmmakers, Takashi Makino is known for hallucinatory, non-linear films that treat and sound with equal importance. Tonight he presents "Space Noise 3D", an immersive live cinema work for 16mm and video, preceded by three short films, all featuring the music of Jim O’Rourke.