Hunter Hunt-Hendrix

Upcoming

Past

Georgia Sagri: Daily Bread

On view beginning March 8, Georgia Sagri’s Daily Bread is a streaming online exhibition and series of public and private performances conveying states of loss, mourning and offering. Sagri performs throughout the installation, in live readings and voice-over, with musical accompaniment by Hunter Hunt-Hendrix.

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ISSUE Radio: Liturgy

Hunter Hunt-Hendrix kicks off his residency in a duo performance as Liturgy with Bernhard Gann. Eruptions of distorted guitar and industrial-like discharges of noise that accelerate, decelerate and explode in and out of sync with the back beat. Apocalyptic and ethereal.

Hunter Hunt-Hendrix with Juliet Forshaw

Musicologist Juliet Forshaw interviews 2012 Artist-in-Residence Hunter Hunt-Hendrix in anticipation of the final performance of his residency. Following his controversial chapbook Transcendental Black Metal, he presents selections from his ever-in-progress libretto for the opera “OIOION” November 13, 2012.

Hunter Hunt-Hendrix: OIOION

Printed Matter, 195 10th Avenue, NYC

For his final performance of the 2012 AIR series, Hunter Hunt-Hendrix will present selections from the ever-in-progress libretto for the opera "OIOION", including the poem "Stations of the Arkwork", which follows in the wake of his controversial 2009 essay "Transcendental Black Metal: A Vision of Apocalyptic Humanism".

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Hunter Hunt-Hendrix and Bernhard Gann - Liturgy

Aritst-in-Residence Hunter Hunt Hendrix performs with Bernhard Gann as Liturgy, a self-christened “Transcendental Black Metal” band committed to developing and enhancing resonances between black metal and various domains of avant-garde culture: serious music, contemporary art and contemporary philosophy.

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Artists-in-Residence 2012

Ongoing Series

We are pleased to announce our Artists-in-Residence for 2012: Hunter Hunt Hendrix, Aki Onda, Sergei Tcherepnin, and Yarn/Wire. ISSUE's residency program has provided a support structure for musical ensembles, composers and sound artists since 2006.