EXTENDED! Saturday from 12-5pm, the subsonic artifacts of Sabisha Friedberg's "Hoffe Axiom" are installed in ISSUE's theater as a quadrophonic installation. Four subwoofers project a series of cyclical sonic traces or phantom sounds in patterns of low-end frequencies.

SOLD OUT! A rare performance by this original, unrecorded Fushitsusha lineup from the 1970s with founding member, New York-based saxophonist Tamio Shiraishi. Known for its torrential walls of sound, Fushitsusha was formed by Haino in '78— initially with Haino on guitar and vocals, and Shiraishi on synthesizer.

SOLD OUT! Opening a three night festival, Keiji Haino gives his first ever solo vocal concert in NYC. Known for intensely cathartic sound explorations, Haino’s unaccompanied wordless screamed vocal performances mark the influence of Artaud’s obsession, with voice violently severed from the body.

To celebrate her recently back in print novels "Speedboat" and "Pitch Dark", author Renata Adler reads from both works followed by a conversation with NYRB Classics editor Edwin Frank. Adler is well known for her tenure at the New Yorker, who recently called the novels "fundamentally probing, even discomfiting, books".

Paralleling his recent series devoted to the overlap between idea-based art, culture bound illnesses, and conceptual poetics, James Hoff is devoting his residency to exploring the concept of involuntary musical imagery, or earworms. Here he gives a performative lecture on his research and compositional strategies.

Sabisha Friedberg presents Hoffe - Axiom, a new chamber piece for acoustic instruments, modified subwoofers, and voice. The work draws on extremes of perception in the lower end of the sonic spectrum: the opening of a psychoacoustic territory which deals exclusively with bass tones.

devynn emory, known for structured, formal, and spatially detailed dances, presents a semi-collaborative text piece with vocalist Margot Bassett: a collision of emory's formal movement structure, pushing away from the body and through the mouth to create hyper composed sounds.

Clarinetist Carol Robinson and cellist Frances-Marie Uitti give a free lecture with music examples, a demonstration of their pioneering techniques that have expanded the fields of their respective instruments. "Composing with Random Generators" is led by Robinson, and "Strips, Tubes and Code", by Uitti.

Clarinetist Carol Robinson and cellist Frances-Marie Uitti are joined by Nate Wooley (trumpet) and Satoshi Takeishi (percussion) for a series of improvisations.

Clarinetist Carol Robinson and cellist Frances-Marie Uitti have worked in parallel for years, originating from their work with Giacinto Scelsi. US Premieres by Robinson/Uitti, Eliane Radigue, Giacinto Scelsi, and Annie Gosfield open this two-night residency, plus a solo cello work by Jonathan Harvey.