Rachika S weaves multi-instrumental samples and synthesized sounds with collaged found and personal video, set in a light and scrim installation. Based in Brooklyn, her work draws on intergenerational memory and meanders purposefully through appropriated visual and audio landscapes from immaterial pasts to the immediate present.
Past
For their second program as the 2018 Suzanne Fiol Curatorial Fellow, Queer Trash is elated to present Black Leather Jesus, (A)sex, Mad Recital, and Rachika S. Queer Trash turns to refuse in both senses of the word: refuse of discarded detritus, and refuse as in “no fucking way.”