Amiri Baraka and Henry Grimes with special guest Atiba Kwabena-Wilson

Tue 03 Mar, 2009, 8pm
($10 - 8) All-Access
Old American Can Factory

ISSUE Project Room is proud to host its first Littoral Reading Series event of 2009 featuring: Amiri Baraka and Henry Grimes

In 2007, Akashic Books ushered Amiri Baraka back into the forefront of America’s literary consciousness with the short story collection Tales of the Out & the Gone. Now, this reissue of Home–long out of print–features a highly provocative and profoundly insightful collection of 1960s social and political essays.

Home is, in effect, the ideological autobiography of LeRoi Jones/Amiri Baraka. The two dozen essays that constitute this book were written during a five-year span–a turbulent and critical period for African Americans and whites. The Cuban Revolution, the Birmingham bombings, Robert Williams’s Monroe Defense movement, the Harlem riots, the assassination of Malcolm X . . . each changed the way Jones/Baraka looked at America. This progressive change is recorded with honesty, anger, and passion in his writings.

Amiri Baraka (previously known as LeRoi Jones) is the author of numerous books of poetry, fiction, and nonfiction. He was named Poet Laureate of New Jersey by the New Jersey Commission on Humanities, from 2002-2004. His most recent book, Tales of the Out & the Gone (Akashic, 2007), was a New York Times Editors’ Choice. He lives in Newark, New Jersey.

Master jazz musician (acoustic bass, violin) Henry Grimes has played more than 300 concerts in 23 countries (including many festivals) since May of ‘03, when he made his astonishing return to the music world after 35 years away. He was born and raised in Philadelphia and attended the Mastbaum School and Juilliard. In the ‘50’s and ‘60’s, he came up in the music playing and touring with Willis “Gator Tail” Jackson, “Bullmoose” Jackson, “Little” Willie John, and a number of other great R&B / soul musicians; but drawn to jazz, he went on to play, tour, and record with many great jazz musicians of that era, including Albert Ayler, Don Cherry, Benny Goodman, Coleman Hawkins, Roy Haynes, Lee Konitz, Steve Lacy, Charles Mingus, Gerry Mulligan, Sunny Murray, Sonny Rollins, Roswell Rudd, Pharoah Sanders, Archie Shepp, Cecil Taylor, McCoy Tyner, and Rev. Frank Wright.

Sadly, a trip to the West Coast to work with Al Jarreau and Jon Hendricks went awry, leaving Henry in Los Angeles at the end of the ‘60’s with a broken bass he couldn’t pay to repair, so he sold it for a small sum and faded away from the music world. Many years passed with nothing heard from him, as he lived in his tiny rented room in an S.R.O. hotel in downtown Los Angeles, working as a manual laborer, custodian, and maintenance man, and writing many volumes of handwritten poetry. He was discovered there by a Georgia social worker and fan in 2002 and was given a bass by William Parker, and after only a few weeks of ferocious woodshedding, Henry emerged from his room to begin playing concerts around Los Angeles and shortly afterwards made a triumphant return to New York City in May, ‘03 to play in the Vision Festival. Since then, often working as a leader, he has played, toured, and / or recorded with many of today’s music heroes, such as Rashied Ali, Marshall Allen, Fred Anderson, Marilyn Crispell, Ted Curson, Andrew Cyrille, Bill Dixon, Dave Douglas, Andrew Lamb, David Murray, William Parker, Marc Ribot, and Cecil Taylor. Henry has also given a number of workshops and master classes on major campuses, released several new recordings, made his professional debut on a second instrument (the violin) at the age of 70, has now published the first volume of his poetry, “Signs Along the Road,” and has been creating illustrations to accompany his new recordings and publications. He has received many honors in recent years, including four Meet the Composer grants and a grant from the Acadia Foundation.
He can be heard on more than recordings on various labels, including Atlantic, Ayler Records, Blue Note, Columbia, ESP-Disk, Impulse!, Jazz NewYork Productions, Pi Recordings, Porter Records, Prestige, Riverside, and Verve. Henry Grimes now lives and teaches in New York City.

Atiba Kwabena-Wilson (musician/poet/storyteller) is the founder and artistic director of both Songhai Djeli and the Befo’ Quotet. He was the recipient of a full Scholarship for voice and flute, earning his B.A. in Music from Long Island University. Mr. Kwabena-Wilson studied arrangement and orchestration for jazz ensembles with Calvin Hill (bassist with Max Roach and faculty advisor for L.I.U.). He also studied Jazz Improvisation with the late John Lewis (pianist with the Modern Jazz Quartet and professor at City College).

Atiba visited Jamaica in February of 2004, where he was interviewed by Jean Small, host of “A Festival of Words” on Radio Mona FM 93. He spoke of his life’s journey which has led him to poetry and storytelling.

In 2005, Atiba was featured in “Uptown” magazine, summer issue.
Throughout the years, Atiba Kwabena-Wilson has been involved with numerous projects and programs that have reached out to many people. An abbreviated list of his performance profile is provided below:

  • Guest Lecturer at Hunter College (subjects: “African Origins of the Blues” and “African Origins of Hip-Hop”)
  • Served as artistic director through Bedford Stuyvesant Restoration Corporation, 1999-present, of “Music Meets Poetry” series
  • Toured schools under the auspices of the Julliard-Lincoln Center Community Out-Reach Program, both as a solo artist and as a member of “Ngoma”, performing traditional songs, stories and dances of Azania (aka South Africa)
  • Performed at FESTAM International Music Festival, Inc. in Dakar, Senegal 1998 through 2000
  • Filmed with the Grammy Award Winning Rap group ARRESTED DEVELOPMENT (MTV Unplugged)
  • Featured in “Bum Rush the Page- A Def Poetry Jam”, Edited by Tony Medina and Louis Reyes Rivera, Three Rivers Press 2001 and “New Rain” Vol. 9 Edited by Gary Johnston and Malika M’Buzi Moore, Blind Beggar Press 1999
  • Appeared as percussionist/ flutist on “The Rose That Grew From Concrete” Vol.1: A CD focusing on poetry by Tupac Shakur, performed by various artists
  • Appeared as a performing artist for the American Museum of Natural History
  • Featured on CBS, Traditions
  • Provided “Edu-tainment Clinics” for Hospital Audiences Inc.
  • Conducted storytelling and music workshops for the New York City Housing Authority
  • Provides music, poetry and storytelling workshops, staff development seminars, assembly programs, concerts and lecture/ demonstrations throughout the tri-state area under the auspices of the Caribbean Cultural Center, Bedford Stuyvesant Restoration Corp. Education Dept. and Henry Street Settlement Cultural Outreach/Ed. Dept.