ISSUE’s Littoral Series began in 2006 and is a monthly event, curated by Tony Antoniadis, which pairs fresh and compelling writers with innovative contemporary musicians, sound, and video artists to deepen the artist and audience experience of the works.
The New York Tyrant is a tri-quarterly literary magazine based in Hell’s Kitchen, focusing on the immediacy of the short story. The pieces, coming from voices both new and seasoned, are concise, evocative, often humorous, and sometimes surreal. We believe in the power and urgency of the story and its ability to describe and illuminate the interior and exterior landscape. We believe in the power of narrative and its ability to make life more astonishingly alive. Joining ISSUE for Littoral will be Eric Hintze and Eugene Marten.
Erich Hintze lives with his wife, a dog, and a one-eyed cat in a rowhouse in Washington DC.
Eugene Marten lives in Harlem and tries to get one thing right. He is also the author of the novels In The Blind (Turtle Point), Waste (Ellipsis), and the forthcoming Firework (Tyrant Books).
www.nytyrant.com
Phillip Stearns (AKA Pixel Form) is a practitioner of sound and visual arts; music composer and performer; electronics sculptor and installation artist. He is a graduate of the California Institute of the Arts music composition department where he studied with David Rosenboom, Hans W. Koch, Michael Pisaro, Mark Trayle, Sarah Roberts, Tom Leeser, and Andy Kopra. Central to his practice are the use of custom electronics, hand-craft, hardware hacking techniques, media technologies, procedural processes, organic and natural gardening, and seed saving. He views technology as a site for exploring contemporary society, cultural tendencies, and the horizons of violence, politics, information, noise, control, proximity, parity, subversion, corruption, interconnectedness and interrelatedness. Pursuing organic and natural agricultural practices and ecological design are a way of addressing the harmful impacts of the widespread proliferation of modern technologies and mediating the damages resulting from their wanton consumption and disposal. Characteristic of his work is judicial use of materials, restraint, simplicity, a careful balance between conceptual depth and playfulness. He has presented, performed, lectured, exhibited, led workshops, and screened works at various festivals, conferences, residencies, museums and institutions around the US and Northern Europe including the Experimental TV Center, NIME, Filmer La Musique, STEIM, Darmstadt, Torrance Art Museum, Machine Project, Telic, Optica film festival, ISIM conference, GLAMFA exhibition, Spark festival, Bent festival, Soundwalk, Chaos Communications Camp, Cal Arts, SFSU, UCSD, UC Davis, and Mills College.
www.art-rash.com/pixelform/
ISSUE’s Littoral Series is supported, in part, by The Casement Fund and by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.