Event

R. Stevie Moore / Gary Wilson

Friday, January 24, 2014 - 8:00pm

at 22 Boerum Place, Brooklyn, NY 11201 Map
$15 
General
$12
Members / Students

ISSUE presents two fiercely independent pillars of DIY rock: R. Stevie Moore and Gary Wilson. Lo-fi trailblazer Moore performs solo and unplugged. Wilson revisits his own avant garde and access TV performance roots with lightly arranged improvisations over abstract displays. Extended versions of his more non-musical hits from You Think You Really Know Me, as well as solo numbers selected from his own catalog and the outsider realms of instrumental warp lounge restaurant classics are performed with guest accompaniments by The Blind Dates.

Improviser, composer, arranger, producer, musical conceptualist, comedy writer, vocal stylist, filmmaker, sketchpad artist, drama example, self-taught instrumentalist and bon vivant, R. Stevie Moore was born 1952 in Nashville, TN to famed Elvis bass player Bob Moore. Considered a seminal pioneer in the DIY ethic, since '66 Moore has recorded nearly 2,000 songs on over 400 very original homemade albums of alarmingly idiosyncratic variety and styles. Remaining virtually unknown, he quietly resided in New Jersey as curator of his own museum. Until now... based back in Tennessee, and touring the planet LOUDLY SHOUTING!



Gary Wilson emerged from New York's DIY movement with 1977's proto-New Wave masterpiece You Think You Really Know Me, an extraordinarily bizarre and personal record which has been known to suck unprepared new listeners in like a drug and never let go. Shortly after its limited release its creator simply vanished. In the 25-year wake before he was found again, Wilson’s small-town opus had spread by word-of-mouth, inspiring a new generation with his bizarre songs and personal musical vision until the re-release You Think You Really Know Me in 2002 brought him back to the public eye. Wilson has continued making music in the years following his "disappearance", chronicling his obsessions and angst in songs equal parts Prince and Pee Wee Herman…Joe Jackson and Charlie Brown. Bursting with electro-funk, synth rock, lounge, soul, and avant-garde jazz, Wilson's songs celebrate our inner ickiness, silliness and grooviness, the romance and randiness of born-losers.

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Ticket FAQ

  • Doors and Box Office open 30 minutes before indicated show time.
  • Online Sales end 2 hours prior to event, tickets are available at the door unless marked as "Sold Out".
  • Student discounts are for rush tickets, available only at the door or with a Student Membership.
  • Free Ticket cards are applicable to shows priced $15 and below.
  • All-Access and Collector Members gain free entry to shows priced $25 and below at 22 Boerum Place.

Solo sets by both artists accompany a new interpretation of John Cage's "Williams Mix" (1952) by Werner Dafeldecker and Valerio Tricoli, approaching the score from a contemporary perspective. In the context of digital audio and live instrumental performance, the work draws on a library of over 2000 pre-recorded sounds.

Clarinetist Carol Robinson and trumpeter Nate Wooley give American and World Premieres of new works by iconoclastic French composers Denis Dufour and Eliane Radigue. Radigue's "Occam" pieces are part of a substantial set of new works composed with a small group of the world’s finest contemporary musical voices.

Electronics manipulator Tim Goss, formerly of the Shadow Ring, appears with Call Back the Giants, an inter-generational duo with his daughter, Chloe Mutter. Vanessa Rossetto conjures evocative visual-soundscapes in a duo with guest TBA. Matt Krefting presents his refined, textural soundscapes in a solo performance.