directions

Subway F Line, Subway G Line
to CARROLL ST-SMITH ST stop
Walk East down Third St over Gowanus Canal to Third Av

Subway F Line, Subway M Line, Subway R Line
to NINTH ST-FOURTH AVE stop
Walk North on Fourth Av. West on Third St to Third Av

Bus B37, Bus B71
to THIRD AVE-THIRD ST (Westbound) or THIRD AVE-UNION ST (Eastbound)
From Union St, walk South on Third Ave to Third St

May


MAY

During the month of May 2008 ISSUE Project Room devotes its programming to the ecstatic moment.

Thursday May 1st (at 7pm)

dan graham

Dan Graham presents a screening of ROCK MY RELIGION

"Rock My Religion" is a provocative thesis on the relation between
religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the "reeling and rocking" of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock'ssexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock `n' roll music.

Original Music: Glenn Branca, Sonic Youth. Sound: Ian Murray, Wharton Tiers. Narrators: Johanna Cypis, Dan Graham. Editors: Matt Danowski, Derek Graham, Ian Murray, Tony Oursler.
Produced by Dan Graham and the Moderna Museet.

Since the mid-1960s, Dan Graham has produced an important body of art and theory that engages in a highly analytical discourse on the historical, social and ideological functions of contemporary cultural systems. Architecture, popular music, video and television are among the focuses of his provocative investigations, which are articulated in essays, performances, installations, videotapes and architectural/sculptural designs.

Graham began using film and video in the 1970s, creating installation and performance works that actively engage the viewer in a perceptual and psychological inquiry into public and private, audience and performer, objectivity and subjectivity. Restructuring space, time an spectatorship in a deconstruction of the phenomenology of viewing, his early installations often incorporate closed-circuit video systems within architectural spaces. The viewer's perception is manipulated and displaced through such devices as time delay, projections, surveillance and mirrors.

In installations focusing on the social implications of television, as articulated in private and public viewing spaces, Graham refers to video's semiotic function in architecture in relation to both window and mirror. Graham has also published numerous critical and theoretical essays that investigate the cultural ideology of such
contemporary social phenomena as punk music, suburbia and public architecture.

Graham was born in 1942. He has published numerous critical essays, and is the author of Video-Architecture-Television (1980). His work is represented in the collections of numerous major institutions in the United States and Europe, including Moderna Museet, Stockholm; Centre Georges Pompidou, Paris; and The Tate Gallery, London. He has had retrospective exhibitions at Van Abbemuseum, Eindhoven, Holland; Museum of Modern Art, Oxford, England; The Renaissance Society, University of Chicago; Kunsthalle, Berne, Switzerland; and the Art Gallery of Western Australia, Perth; and has been represented internationally in group exhibitions at Documenta 7, Kassel, Germany; Art Institute of Chicago; Stedelijk Museum, Amsterdam; P.S. 1, New York; American Film Institute National Video Festival, Los Angeles; and The Museum of Modern Art, New York, among other festivals and institutions. Dan Graham lives in New York.

7pm $10

Friday May 2nd

mv carbon + hahn rowe

M.V. Carbon resides near the bridge and  composes  transpositions. cello, keyboards, tape machines, guitars w/ modified instruments oscillate -lyrics induce  abstractions.

the effects of color, tone, shape and distance will be tested on the participants through projection and (bi)-linear sound.

Hahn Rowe is a composer, producer, engineer, and multi-instrumentalist who has performed and/or worked with artists such as Hugo Largo, Glenn Branca, David Byrne, Hassan Hakmoun, Foetus, Mimi, and Antony and the Johnsons among many others.

He is currently active as a composer for film and his longstanding musical collaboration with Brussels/Berlin based choreographer Meg Stuart (Damaged Goods) has resulted in the creation of 5 critically acclaimed dance/theater works.

Tonight's performance will feature solo, digitally de/re-constructed violin - fluidly transforming from sensual-textural microsonics to the lush and quasi-symphonic.

8pm $10

 

Saturday May 3rd

sean meehan + duane pitre

Liz Tonne & Sean Meehan
So, I have never had anything remotely close to an ecstatic moment, so maybe tonight is the night.
-sm

Liz Tonne - Biography

Liz Tonne is a sound artist inspired by the unorthodox use of the human voice. She is an improviser and an interpreter of contemporary composition using voice as her instrument. Her singing is an abstraction of styles ranging from jazz to bird songs, and uses techniques taken from bel canto, wheezing and the mimicry of machinery.

As well as performing as a solo artist, Tonne is a member of The BSC, a large improvisational group directed by Bhob Rainey.  She is a quarter of undr quartet, who along with James Coleman, Greg Kelley and Vic Rawlings, celebrated 2008 as their tenth year anniversary as one of the pioneering ensembles of Boston’s “lowercase” sound. 

www.liztonne.com

Sean Meehan-Biography

Sean Meehan plays the drums.  This is his second performance with Liz Tonne.  He plays with others, most notably Matthew Sperry and Kendall Pigg.  Meehan and Pigg have recently finished a duo drum CD to be released latter this spring.

 

Duane Pitre is a Brooklyn-based composer, improviser and sound-artist. His primary instrument is electric guitar, which he plays in a nontraditional fashion, utilizing various objects such as mallets and rotary tools to coax unusual sounds from the instrument. His current solo works explore both chaos and discipline—and the territory that exists between the two.

Pitre (originally from New Orleans) spent the better part of the 90s in San Diego, where he began exploring drone, minimalism, and ambient music. In September 2004 he moved to Brooklyn and began studying the physics of sound, the involvement of mathematics in tuning and temperament, the tuning system of Just Intonation, and other microtonal tuning systems.

In summer of 2007 Pitre's album, Organized Pitches Occurring in Time, was released on Important Records. This album consists of two versions of his lengthy drone/contemporary-classical composition Ensemble Drones. Ensemble Drones was performed live in December 2007 by a 13-piece ensemble in Burlington, VT, and future performances of the piece are in the works for Chicago (May '08), New Orleans, Austin, and San Diego.

Pitre has a number of releases scheduled for 2008, including a track on a compilation of experimental/avant-garde guitarists (to be released by Quiet Design) and limited edition lathe-cut vinyl on Ireland's 5 Minute Association label (Loren Connors, Michael Gira, Sunburned Hand of the Man).

Pitre is currently curating and will be contributing a track to a Just Intonation compilation (to be released on Important Records in late 2008/Early 2009), which will include work by artists such as Pauline Oliveros, Ellen Fullman, Michael Harrison, and Arnold Dreyblatt.

8pm $10

 

Thursday May 8th
marc zegans+ gabrielle senza + ecstatic quartet

Ecstatic Quartet

MV Carbon, cello, Lucian Buscemi, bass, Michael Evans, Percussion and Anthony Ptak, theremin

PILLOW TALK

A collaboration between artist Gabrielle Senza and poet Marc Zegans, Pillow Talk explores the human comedy through erotic haiku and graphite images drawn with sensitivity and light.  Senza and Zegans' collaboration unfolds as a conversation between form and text playing out across the pages of a pillow book, an intimate
set of musings on eros expressed in raucous, tender, vulnerable human form.

Speaking different languages, male and female, line and word, sound and shape, Zegans and Senza turn in to each other, gently, allowing life to find its balance in the shared, quiet  moments of pillow tal

Artist-activist, Gabrielle Senza is internationally recognized as an environmental artist, educator, curator and writer.  She exhibits widely and has work in the collections of the Museum of Modern Art, the Whitney Museum, Fidelity Investments, Paine Webber, and in private collections around the world. She has taught at Mass MoCA, Cooper Union and Bard College of Simon's Rock. She is the founder and director of the creative public arts initiative, Red Collaborative.

Marc Zegans is a poet, playwright and author.  His current work explores waking dreams and  human fragility in the post-industrial landscape.   Marc's play, Mum and Shah, co-written with Colby Devitt, was a Boston Globe  "Pick of the Week".

His spoken word Album,  "Night Work" was released by Philistine Records in August 2007.   Erin Cressida Wilson, author of the films, "Secretary" and "Fur" describes "Night Work" as, "erotic and sad, a logue of girls: broken-hearted, cruel and grieving - a
celebration of love and naughty women..."   

g.spot press

Recently founded by Gabrielle Senza, g.spot press, publishes artist-designed books that combine poetry, fiction, and other creative musings with high quality artwork by contemporary artists. We specialize in bringing together some of today's most original creators from a variety of genres, to publish original books of delectable quality and style.

To order Pillow Talk online, visit:  g.spot press
For more information, write gspotpress@mac.com

 

Friday May 9th

jonathan kane’s february

“Blistering the stars...Jonathan Kane's February was a show to remember. Kane and his four guitar assault launched the blues into the stratosphere. This is glorious guitar music where everthing riffs, crashs and rolls in synch, the blues stretched to the infinity...it shouldn't work but by god it does. Many try it and many fail but Jonathan Kane and band deliver BIG time. The Dream Synidicate has got a new forger of harmonic maximalism” Qu Junktions - Bristol, UK

“John Lee Hooker meets La Monte Young in the droning, bluesy incantations of Jonathan Kane, a mainstay in the downtown avant-garde scene, interested in the crossroads of new-music iconoclasm and experimental rock. He has a drummers sense of steady dynamic development and an unapologetic love of noise. Virtuosic”

-New York Times

Jonathan Kane is a Downtown NYC legend -- as co-founder of the no-wave behemoth Swans, and the rhythmic thunder behind the massed-guitar armies of Rhys Chatham and the rock excursions of La Monte Young -- and as one of the hardest-hitting drummers on the planet. On his critically acclaimed releases 'February', and 'I Looked At The Sun', Kane summons Swans' concussive wallop, Chatham's dense guitar strata, and the perpetual propulsion of 70s krautrockers Neu, then steers it all head-on into... the blues. Make no mistake about it: Kane is a bluesman, and beneath his music's hip shaking high-decible bombast, he's powering guitar-driven minimalism into the blues, and the blues into guitar-driven harmonic maximalism. Kane has also toured and recorded with a galaxy of modern music luminaries, making over 50 records with artists such as Elliott Sharp, Gary Lucas, John Zorn, Dave Soldier, The Kropotkins, Moe Tucker, Jean-Francois Pauvros, Jac Berrocal, Tony Hymas, Evan Parker, Septile, Transmission and Circus Mort.

8pm $10

Saturday May 10th

michelle handelman+flaming fire

Tonight Handelman will open the evening with some new three-channel works that re-animate, re-play and orchestrate excess with a glamorous loss of control.

Michelle Handelman makes confrontational works that explore the
sublime in its various forms of excess and nothingness. Her videos
have shown at Georges Pompidou Centre, Paris; ICA, London; American Film Institute, and her live performance spectacles at Exit Art, NYC; Jack the Pelican, NY; Jack Tilton/Anna Kustera Gallery, NY;
Cristinerose Gallery, NY; Palm Beach ICA and The Aldrich Museum of Contemporary Art. Recent projects include "The Laughing Lounge" for Performa 05; "This Delicate Monster", (touring); "Passerby <ghost sites>" for the show "public.exe: Public Execution" curated by Anne Ellegood and Michele Thursz; and an animated collaboration with Paul Miller AKA DJ Spooky That Subliminal Kid "DJ Spooky vs.WebSpinstress M". In Fall 07 Handelmans work was chosen by Bloomingdale's for their Fall Art Campaign, featuring her videos, photographs and related props in the windows of their Lexington Ave flagship store.

Before moving to New York in 1999 Handelman directed the critically acclaimed documentary, "BloodSisters", winner of the 1999 Bravo Award, and was involved in a series of collaborations with Monte Cazazza, pioneer of the Industrial music scene in San Francisco.  She has a rich and varied history in the pop culture scene having collaborated with Eric Werner, co-founder of the industrial performance group Survival Research Laboratories, creating sound effects for Jon Moritsugu's ITVS production, "Terminal USA", and through her work with Cazazza forging relationships with the following bands who have provided music for her work: Psychic TV, Coil, Chris + Cosey, Lustmord, and Larsen.

Her fiction and critical writing appears in Inappropriate Behaviour(Serpents Tail, London); Apocalypse Culture edited by Adam Parfrey (Feral House Press, LA); Herotica 3 edited by Susie Bright (Plume Books, SF) and several publications including Filmmaker Magazine, Soma Magazine and Indiewire.com. She is the winner of several grants and awards including a NYSCA Individual Artists Grant and the American Film Institute Visions Award. Handelman is assistant professor in the department of Media and Performing Arts at the Massachusetts College of Art and Design, Boston. She lives and works in Brooklyn.

Flaming Fire is the twisted creation of Patrick Hambrecht, mid-Western son of a Baptist preacher. He imagined the group as an eerily masked Greek chorus, inspired not only by his religious upbringing, but his avid passion for comic books and creepy things that go bump in the night. In order to realize his vision, he enlisted the help of his talented wife, Kate, and a rotating group of musical friends, from comicbook writer/ performer Lauren Weinstein to Dewanatron, Joe McGinty, and Dame Darcy. Flaming Fire's weird and catchy songs, lively stage show, and unique costumes have helped gain them a strong fanbase at home in New York, and a growing fanbase throughout the nation.They've shared the stage with such acts as Sleepytime Gorilla Museum, The Apes, Faun Fables, Peaches and Psychic TV.

Flaming Fire recently released their new album, When The High Bell Rings, to rave reviews and they have gained much press (NY Times, Chicago Tribune, The New Yorker) for their Illustrated Bible Project, a live salon and website project wherein they invite professional artists and laypeople to illustrate a verse of the Bible in whatever manner the artist sees fit. A night with Flaming Fire is a raucous, whiskey swilling, crowd pleasing blend of the wacky and the profound.

"Where did all the kooks go? L.A.? Well, at least some of them have stuck it out in the city and they are in Flaming Fire, an awesomely kooky, theatrical band singing songs of biblical plagues and Egyptian sexual practices. Picture the Butthole Surfers, the Residents, the Manson Family, and the B-52's all running amok in a Kenneth Anger film. They just don't make 'em like this anymore." – VICE Magazine

8pm $10

Wednesday May 14th

emil de waal w/ erik sanko, andy green, bruce tovsky and kato hideki + joe morris w/alex ward and simon fell

Play- and joyful freeform acoustic/electronic music by dane Emil de Waal and the great artists of the evening.
Accompanying artists will make improvised music interplaying with Emil and his prerecorded material, a.o. adding improvisations and backing to the preliminary (live) recordings from his laptop.

Emil de Waal on drums, percussion, electronics and laptop is one of the most heavily engaged drummers in Danish music, and has toured internationally and appeared on 150 releases since his debut in 1986. Emil de Waal is also known as a band-leader, programmer, composer and arranger.  Since 2004,  Emil de Waal+ has released two albums with his "Emil de Waal+" project that have been appraised by reviewers a.o. in British "The Wire".  Emil de Waal+ has toured in China, US, Belgium, Germany, Sweden, Norway and Denmark with diverse guests such as Wayne Horvitz, Danny Frankel, Erik Sanko, Bruce Tovsky, Andy Green and Yan Jun.

myspace.com/emildewaal
emildewaal.com

Multi-instrumentalist Erik Sanko "Erik Sanko is the leading light in the much admired Skeleton Key and was an original member of John Lurie's Lounge Lizards. He also helps out such luminaries as Yoko Ono and John Cale from time to time. "
.

Guitarist and technician Andy Green is known for his work with John Cale & The Velvet Underground, among others. 

bruce tovsky is a visual/sound artist, who began painting at the age of 7 and started playing with tape recorders at the age of 10. Ever since then he has been figuring out ways of putting sound and pictures together. For the past several years he has been creating live video and sound improvisations, often in collaboration with artists such as John Hudak, David Linton, Kim Cascone and Michael Schumacher in a variety of spaces around New York City, such as Diapason, Experimental Intermedia, Issue Project Room, Tonic, and his own installation space 106BLDG30 at the Brooklyn Navy Yard. His audio/video duo with video artist Shimpei Takeda has been appearing in planetariums, rural arts festivals and galleries around New York.

Kato Hideki (Kato:family name; Hideki: given) is a Japanese-born composer/bassist/multi-instrumentalist, who lives in NYC. He is the co-founder of Death Ambient with Ikue Mori & Fred Frith. His other groups as a leader are: Green Zone with Otomo Yoshihide & Uemura Masahiro; OMNI wtih Nakamura Toshimaru & Akiyama Tetsuji. His compositions include: solo bass piece Turbulent Zone, Mystic Ship of Life, (commissioned by the Kitchen, NYC) and Tremolo of Joy for his quartet with Charles Burnham, Briggan Krauss & Calvin Weston. Besides his own projects, Kato collaborates with Nicolas Collins and James Fei. He is also a member of analog synthesizer collective, Analogos. (http://www.katohideki.com/)

 

NY debut for this group and a rare NY appearance for
Simon Fell and Alex Ward. The performance will be free
improvised music, full of adventure, discovery, sound,
energy, melody and as many surprises as possible.

 

Guitarist Joe Morris has worked with Anthony Braxton, David S. Ware, 
Matthew Shipp, William Parker, Dewey Redman, John Butcher, Han 
Bennink, Ken Vandermark, Barre Phillips, Joe Maneri, Eugene 
Chadbourne and many others. He has recorded for the labels ECM, 
HatHut, Aum Fidelity, Clean Feed, Avant, Not Two, Leo, Incus and his 
own label RITI. His is on the faculty at New England Conservatory and 
Longy School of Music.

Bassist Simon Fell was born in the UK and now lives in France. He has 
performed with John Butcher, Peter Brötzmann, Lol Coxhill, Billy 
Jenkins, Joe Morris, Keith Tippett, Derek Bailey, Han Bennink, 
Thurston Moore, Lee Ranaldo, Ellery Eskelin, Tim Berne and numerous 
others, plus with John Zorn & Joey Baron (as part of Company) and 
with Elliott Sharp, Billy Bang & Christian Marclay. He has been 
awarded numerous Bursaries and Grants from the Arts Council of 
England and other organisations to further his performing technique 
and compositional studies. He runs the label Bruces Fingers.

Clarinetist Alex Ward lives in London. In 1986 when he was 12 years 
old he attended a workshop on improvisation run by Derek Bailey. In 
1988 Bailey invited him to play at various events including Company 
Weeks in 1988, 1990, and 1994. Bailey also organized his first 
recording and CD release in 1991. He has also performed with Butch 
Morris, Eugene Chadbourne, Steve Noble, Phillip Clark Mike Westbrook 
and his group "Dead End Kids.

8pm $10

Friday May 16th

the anniversary & the ecstacy an evening of ecstatic film curated by bradley eros

"Living's only true terror is the lack of ecstacy."
-Kathy Acker

The Robert(a) Beck Memorial (Mercurial) Cinema will
celebrate it's 10th anniversary on May 16th during
Issue Project Room's month of ECSTACY! An oroboric
event organized by Bradley Eros, Brian Frye & Joel
Schlemowitz.


We will gather all the mercurial ones, remember all
the memorial ones, and play with all the players,
inviting works by and about RBMC from all our former
members: works of music & pleasure, lost and regained
senses & sensuality, sexperimental sinema, and ecstacy
without agony. We will feature clips from the very
first and very last shows, as well as commissioned
trailers, performances, posters, and the infamous
legend of the sanitarium. A night of celebration &
cerebrum!

XS & XTC
Xistence in the Xtreme. We are Xcommunicated from the
Xcruciating norm. In our Xile, we Xcavate the
Xocentric. As 'pataphysicians, we Xalt the science of
Xceptions: X-raying the myths to Xcrete blood from the
language of Xchange. This is our Xpression of XS,
Xterminating angels while Xposing our XTC!

RBMC = Robert Beck Memorial Cinema / Roberta Beck
Mercurial Cinema

Mission Statement:
The RBMC provides a laboratory for the auto-didact, a
genuine Temporary Autonomous Zone for cine-mavericks
and metaphysicians and a realm to disorder and regain
the senses. As a micro-cinema haven for experimental
film, we seek the radical in form and content: the
poetic, personal & eccentric; hand-made and
found-footage; hybrid works with forays into oddball
genres, like subterranean science, subversive history,
and erotic mystery, from the abject to the obsolete.
We favor expanded cinema & video performances,
paracinema & the ephemeral, artisan films & found
gems. A true cinema of the worm: fertile, underground,
culture.


Our motto: 'ubi mel ibi apes' ("where there's honey,
there will be bees".)

Organization History:

Every Tuesday night for more than a hex of years
(1998-2004), the RBMC illuminated the snowy-white
screen of the Collective:Unconscious on Manhattan's
Lower East Side. Initiated by Brian Frye & immediately
joined by Bradley Eros, both shared the core curating
frenzy of this no-budget operation, managing to
produce over 300 programs and exhibiting more than a
thousand artists. When Frye left (for 'legal'
resaons), we relocated & regrouped, (trans-)mutating
into Roberta Beck Mercurial Cinema at Participant
Inc's gallery just around the corner, for a year, with
a team of at least six, but primarily & irrepressibly
Eros and Joel Schlemowicz. We are now a restless,
nomadic cinema, mushrooming & mutating into myriad
incarnations, but most notoriously at Issue Project
Room, both indoors and out, near the Gowanus Canal in
Brooklyn.

Bradley Eros:

An artist working in myriad media: experimental film &
video, collage, photography, performance, sound, text,
expanded cinema & installation. Also a maverick
curator, designer, researcher & investigator. Concepts
include: ephemeral cinema, mediamystics, subterranean
science, erotic psyche, poetic accidents, and cinema
povera.

Brian Frye is a filmmaker, programmer, writer &
lawyer. He initiated the RBMC and screened Nixon's
"Checker's Speech" & de Antonio's "Underground"  on
the first night.  An open dialogue from the
beginning...

Joel Schlemowitz has made over forty short
experimental films, and numerous film installation
pieces. His work has been shown at the Whitney Museum of American Art, MoMA, Anthology Film Archives, Millennium Film Workshop, Berks Filmmakers, and various festivals. He teaches
filmmaking at the New School, where he is passionately
involved with the union. He is an inspired tinkerer in
arcane media and has made many poetic films & films of poetry.

8pm $10

Saturday May 17th
andy mcgraw shahzad ismaily gamelan dharma swara + blarvuster

Andy McGraw (oncampus.richmond.edu/~amcgraw) and  Shahzad Ismaily (Marc Ribot's Ceramic Dog, Two Foot Yard, etc etc etc etc etc etc) team up again with American and Balinese musicians from Dharma Swara, the gamelan in residence at the Indonesian Consulate (www.dharmaswara.org) for an evening of experimental gongs, rare, sacred and contemporary seven-tone gamelan and Indonesian-inspired duets for vibes and electronics.  This will be an evening of spinned, bowed, rolled, dragged, and artifically stimulated gongs, wavering overtones and racous (musical) beatings alongside some of the most intricately designed gamelan music--the repertoire of the gamelan semara pegulingan: the Music of the Lovegod, originally composed to entertain the rajas in their amorous exploits.

Matthew Welch's Blarvuster

Labyrinthine and florid melodies streaming over alien funk counterpoint make the ecstatic music of Blarvuster, the brainchild of critically acclaimed bagpiper/composer Matthew Welch. Inspired equally by Celtic lines and South East Asian ensemble textures as well as avant-garde rock and minimalism, Blarvuster's line-up of some of the brightest young stars in the New York experimental scene ardently evoke a seamless hybrid of musical languages that issues forth its own fictional tradition. "The Brooklyn-based composer leaps vast geographical distances, imagining statistically implausible musical melting pots that sound utterly natural...a composer possessed of both rich imagination and the skill to bring his fancies to life." - TimeOut NY

In a New York Premiere, Blarvuster will perform the second composition in a new series of long form pieces called Blind Piper's Obstinacy: relentless mayhem in rhythm and color designed to make you feel ecstactic and dizzy!

Blarvuster
Leah Paul: flutes
Karen Waltuch: viola
Mary Halvorson: guitar
Ian Riggs: bass
Brian Chase: drums
Matthew Welch: bagpipes, reeds, vox

8pm $10

Sunday May 18th
an evening with raster noton
alva noto +byetone+frank bretschneider+signal

alva noto will perform unitxt (the new release comin´soon)
byetone will perform d.o.a.t. (death of a typographer) - new album comin´soon frank bretschneider will perform rhythm (his 07 release)
signal will perform robotron (2007, but first time in america)

here is a mp3 link of byetone´s_plasticstar ep (feb 08)

8pm $10

Thursday May 22nd

glenn branca + the paranoid critical revolution

"A Demonstration of The Harmonics Guitar" by Glenn Branca + The Paranoid Critical Revolution.

Glenn Branca is a symphonist.  In the last 27 years he has composed 13 symphonies:  six for electric guitar ensemble (1,2,6,8,10,12), three for harmonic series instrumentation (3,4,5), three for conventional symphony orchestra (7,9,11) and No. 13 (Hallucination City) for 100 guitars which premiered in NYC at the former WTC in 2001.  Since 2006 a revised version of the 100 guitar piece in four movements has been performed in Rome (at Musica Per Roma), London (as part of the Frieze Art Fair), Dublin, Belgium, LA (sponsored by the LA Philharmonic) and New Jersey.  In May there will be a performance in Seattle and In Nov. this  year it will be in St. Louis on a program with the St. Louis Symphony.   In the spring of 2009 it will be heard in Munich.

He has also composed many shorter pieces for a wide variety of Instrumentation as well as an unproduced opera, a film soundtrack, two ballets and numerous dance and theater pieces.  Recent short compositions have been: "In Perpetuity" a special commission for MTV, "Compositional Recreations" for the Bang on a Can All Stars,  a new performance of "Guitars d'Amour" by Fireworks, a string quartet version of "Light Field" for Kronos (commissioned by Carnegie Hall) and "Lesson No.3 (a tribute to Steve Reich)" which was commissioned by the Barbican Center and was recently performed at the ATP Festival.  

Last year Atavistic released for the first time "Indeterminate Activity Of Resultant Masses (for 10 guitars and drums)".  Recorded in 1981, this is the piece of music that "disturbed" John Cage and has not been heard since the mid-80's.  He is also the inventor of the Harmonics Guitar and a founding member of the 70's No Wave band Theoretical Girls.

PARANOID CRITICAL REVOLUTION

Intense, frantic, NYC-based THE PARANOID CRITICAL REVOLUTION self-released their debut CD "Death of the Cool" just in time to play All Tomorrow's Parties, A Nightmare Before Christmas curated by Portishead in Minehead, England in December 2007.  They've been described by IMPOSE magazine as "Seething with treble, technically formidable, and crashingly dissonant, THE PARANOID CRITICAL REVOLUTION was another of those acts that create far more of a racket than would seem possible for a two piece." Guitarist Reg Bloor and drummer Libby Fab met in 2005 and have been playing on the NYC club scene since the summer of 2006.  They also curated the "Creating A Diversion" film festival in 2007.

In addition, Reg Bloor has been playing with Glenn Branca (to whom she is married) since 2000.  She played in Branca's Symphony No. 12, their rock band Branca/Bloor, in his trio, eventually becoming Concertmaster for his Symphony No. 13.  In the late 90's she was a founding member of the Boston-based band TWITCHER, who released the self-produced CD "Leg of Lamb of God" in 1999.

Libby Fab became part of the Glenn Branca crew in 2006 as technical director, rehearsal drummer and assistant engineer for Symphony No. 13.  She has worked on Branca's shows in New Jersey, Belgium, Dublin, London, Rome and Seattle.  Prior to joining PCR, Libby studied electro-acoustic music and music composition at Trinity College Dublin, where she completed an M.Phil in Music and Media Technology.

8pm $10

Friday May 23th

Littoral w David Ohle & Brian Evenson & musical guest Nat Baldwin

Brian Evenson is the author of eight books of fiction, most recently The Open Curtain, which was a finalist for an Edgar Award, an IHG Award, and the Paterson Prize, and was one of Time Out New York's best books of 2006. He lives in Providence, Rhode Island, where he directs the Literary Arts Program at Brown University.

David Ohle's novel, Motorman, was published by Alfred P. Knopf in 1972 and re-released by 3rd Bed Press in 2004 with an Introduction by Ben Marcus. Its sequel, The Age of Sinatra, was published by Soft Skull in 2004. A third novel, The Pisstown Chaos, will be published by Soft Skull/Counterpoint, in June, 2008. He has edited two non-fiction books, Cows are Freaky When They Look at You: An Oral History of the Kaw Valley Hemp Pickers and Cursed From Birth: the Short, Unhappy Life of William S. Burroughs, Jr. (Soft Skull, 2006). His short fiction has appeared in Harper's, Esquire, the Paris Review, TriQuarterly, the Missouri Review, the Pushcart Prize and elsewhere. He lives in Lawrence, Kansas.

 

Saturday May 24th

Bhob Rainey/Jason Lescalleet
nmperign (Greg Kelley/Bhob Rainey)/Sean Meehan
Jason Lescalleet/Graham Lambkin

Jason Lescalleet's influence was palpably present long before the
average Joe knew how many L's were in his last name (or could
successfully google it).  He spun tape loops with nmperign from the
get-go, frequently signified the endings of his characteristically
foundation-shaking performances by hurling a nearly indestructible,
hundred-pound Peavy amp across the stage, and provided the bulk of the "disaster" in legendary drummer Lawrence Cook's "Disaster Unit 2000". But as the smoke cleared and the Peavy met its demise in a white-walled room, it became apparent to an awful lot of people that Lescalleet was making some amazing music; beautifully constructed symphonies of decay born of an intimacy with items and ideas lesser minds might discard: tape machines, lo-bit samplers, the tedium of everyday life.  His ability to evoke powerfully complex emotional experiences from such muck made a collaboration with Graham Lambkin practically inevitable.

Composer Walter Marchetti once made a statement to the effect that he was seeking to reach the "bottom" of music.  Some more diligent
attention to this task might lead him to the music of Graham Lambkin.
Already marking out a glorious bottom with his former band, The Shadow Ring, Lambkin has pursued a music so removed from prescribed aesthetics that one is flooded by the beauty it seems to ruthlessly avoid.  He puts the mundane to tape and carves out its horror, its sweetness, and its unsettling ambivalence.  Shrouded in a disarming naiveté, the music leaves the listener ill-prepared for its very adult take onbeing-in-the-world.  We are fortunate that humor can be so black, that we may surrender happily and willingly to an experience not many artists are willing or capable of delivering.

This concert will be the first, and likely one of the only, live
performances by this duo, on the heels of their stunning release, "The
Breadwinner", on Erstwhile Records.

Speaking of Erstwhile, the duo of Lescalleet and Bhob Rainey, a
long-standing and mutually influential relationship, is due to release a
much-anticipated work on said label in early 2009.  While it may seem a daunting task for Lescalleet to participate in two monumental sets in a given evening, experience has shown that he is more than capable.  And he will certainly have a great deal of help from Rainey, whose restless mind lends baroque construction to a music not necessarily known for its formal rigor.  His highly-regarded contributions to the outer-reaches of the saxophone and the possibilities of free improvisation, combined with his recent work in musique concrete (including his impeccably constructed collaboration with Ralf Wehowsky on Sedimental Records), assure us that Lescalleet will be kept on his toes and that sparks, however tiny and frail, will fly.

Rainey won't get much rest, either, as he joins Greg Kelley to form nmperign, and they join Sean Meehan to form... a completely awesome trio.  Combining these forces was such an obvious idea that it only took them eight years to actually make it happen.  But happen it has (twice - this concert makes three), and it keeps happening because it's really great.  With just one trumpet, one saxophone, and one snare drum, these men commute with molecules to make whatever space they're in a better place to be.  They do it with silence, with elegance, with some deadpan goofing, and with the kind of focus that burns holes through granite. Is there a CD release in this group's future?  That is currently unknown and somewhat irrelevant; their music is so well-suited to live performance, it would be silly to miss it.

8pm$10

 

Tuesday May 27

Issue project room’s artist in residence:

ashley paul + eli keszler w/ loren connors


Residing on a farm in upstate New York, multi-reedist,
vocalist and composer Ashley Paul finds daily inspiration in the sounds and often the silences surrounding her. Using whispered and distorted melodies, wailing reeds and subtly explored overtones Ashley creates lyrical, often haunting moments equally involved in high volumes and the nearly inaudible. She is currently working on a solo CD patch-working field recordings with floating vocals, assorted reeds, bells, guitar and keyboards to be released early 2008 on REL Records. In addition to her solo projects, Ashley can be found in duo with Eli Keszler and in trio with Anthony Coleman and Keszler recently recording with Coleman for his December, 2007 release on New World Records. Ashley has collaborated or performed with Roscoe Mitchell (Art Ensemble of Chicago), Ran Blake, Joe Maneri and George Russell and has performed at venues such as The Stone, Issue Project Room, Brooklyn Summer Stage and Jordan Hall.

Eli Keszler is a Hudson Valley based composer/multi instrumentalist who primarily uses percussion to create his sound, which balances droning harmonics created from bowed percussion and intense fast free rhythms. He has performed, recorded or collaborated with a number of diverse artists such as Jandek, Roscoe Mitchell (Art Ensemble of Chicago), Anthony Coleman, Geoff Mullen (Last Visible Dog), Steve Pyne (Redhorse), Greg  Kelley, T Model Ford (Fat Possum Records), Jamaican music legend Lyn Taitt and pianist Ran Blake.  Performing at venues such as The Institute of Contemporary Art (Boston), Irving Plaza, Issue Project Room, The Stone and The Knitting Factory (NYC and LA).  In addition to his work as a performer he put up a installation last Spring at the Boston Cyber Arts Festival. Keszler has recently released a solo album on his own imprint REL records, and has completed a soon to be released solo LP on Geoff Mullen's Rare Youth label.

Loren Connors has improvised and composed guitar music for about three decades.  His music, sometimes called avant blues, has been recorded on Family Vineyard, Drag City, Table of the Elements, and other labels. He has performed with Alan Licht, John Fahey, Thurston Moore, Jim O'Rourke, Derek Bailey, and other artists. Thom Jurek (All Music Guide) writes,"Connors, like John Cage and Mark Rothko before him, sees and hears the value in not ordering sounds along a particular path even if that path has been drawn out in advance. Hence, where the 12 bars are supposed to be placed are sparse notes and large spaces where notes, harmony, and melody once existed. Touch, sense, and aural interrogation are the only bones left on the skeleton of Connor's blues...."

8pm $10

Wednesday May 28th through Saturday May 31


the joshua light show in residence at issue project room


Curated in collaboration with Nick Hallett

Joshua White is a New York based artist and television director. He studied theater at Carnegie Mellon University and film at University of Southern California. He is well known for developing the lightshow at the rock venue Fillmore East, appearing with artists such as Jefferson Airplane, The Grateful Dead, Jimi Hendrix, Janis Joplin, The Doors, Yayoi Kusama, and Led Zeppelin, among many others. During this time, he also created special effects for the film Midnight Cowboy. After the lightshow’s performance at Woodstock in 1969, White shifted to television. His directing credits include Seinfeld, The Max Headroom Show, Club MTV and Inside The Actors Studio. In the 1990s, White returned to creating fine art installations in collaboration with Michael Smith, and in 2004 developed a new lightshow with comic artist and designer, Gary Panter.  His first show since 1969 billed as “Joshua Light Show” was performed in April 2007 at The Kitchen with music by Delia Gonzales and Gavin Russom.  His artwork has shown at the Whitney Museum of American Art, Hirshhorn Museum in Washington, D.C., Los Angeles Museum of Contemporary Art, Tate Liverpool, Kunsthalle Schim Frankfurt, Blanton Museum of Art, Austin, and the Kunsthalle Wien. The Center for Visual Music recently released a DVD of his “liquid loops.”  Upcoming show at Centre Pompidou.

Bec Stupak is a video artist and founding member of Honeygun Labs, a multimedia project working within the genres of music video, installation, and live VJing. Collaborations with fine-art collective Assume Vivid Astro Focus have been exhibited at the 2004 Whitney Biennial, Los Angeles Museum of Contemporary Art, and Tate Liverpool. In 2006, Deitch Projects, presented her first solo show, “Radical Earth Magic Flower.” www.honeygunlabs.com.

Wednesday May 28th

the joshua light show with

Marina Rosenfeld, Ikue Mori, Lee Ranaldo & Zeena Parkins

8pm $20

Thursday May 29th

the joshua light show with

Pandit Samir Chatterjee, tabla
K.V. Mahabala, sitar

co-produced by Chhandayan,

8pm $20

Friday May 30th

the joshua light show with

Spiritual Unity

Marc Ribot (guitar), Chad Taylor (percussion), Henry Grimes (bass), Roy Campbell (trumpet)

8pm $20

Saturday May 31th

the joshua light show with

Invisible Conga People (eric tsai, justin simon) & Soft Circle (Hisham Bharoocha)

8pm $20

ISSUE Project Room is thrilled to host pioneering multimedia artist
Joshua White and his legendary Joshua Light Show for a week of unique audiovisual collaborations. The residency will involve White's iconic projections alongside an incredible roster of musicians, with a
different musical genre represented on each night of the residency.
The Joshua Light Show involves a team of video and light artists, led
by White and his senior collaborator, Bec Stupak (Honeygun Labs) to
improvise live synesthetic visuals behind a giant rear projection
screen, involving the "liquid light" techniques he developed at Bill
Graham's Fillmore East during the late 1960s. In addition, each
performance of the light show will feature contributions from a
different live-cinema artist, including Seth Kirby, Zach Layton, and
Mighty Robot A/V Squad. The residency is curated and produced in
collaboration with Nick Hallett and concludes a month of programming
at IPR devoted to the Ecstatic Moment.

ISSUE Project Room's Joshua Light Show Residency is made possible through Presentation Funds from the Experimental Television Center. The Experimental Television Center’s Presentation Funds program is supported by the New York State Council on the Arts.