Past Events

This year’s Essential Repertoire festival kicks off with an evening of Luciano Berio’s first ten Sequenzas for solo instrument, noted for their virtuosic implementation of extended technique, performed by a generation-defining group of players in New York’s booming new music community.

Karlheinz Stockhausen's Gesang der Jünglinge (1955-56), in four-channel version prepared by Columbia's Computer Music Center, Kontakte (1958-60), and Mikrophonie (1964-65). Including a pre-concert recorded lecture (from 1960) by Stockhausen on his approach to electronic music.

The S.E.M. Ensemble demonstrates Stockhausen's role and influence in music of the late 50s and 60s, via the performance of three works from the early periods of John Cage, Christian Wolff and Petr Kotik.

Program includes: Tom Johnson, An Hour For Piano (1971) and Philip Glass, Knee Plays from Einstein on the Beach (1976). Line-up includes: Joseph Kubera (piano); Mary Rowell (violin, arrangements); Geoff Burleson and Joseph Kubera (organs); Eve Beglarian and Ekmeles vocal ensemble (voices).

Rupture: Material Landscape consists of a single video channel, presenting a moving image piece originating from treated and processed 16mm film. Accompanying the moving image presentation, Garet prepares an aleatoric sonic system based on sounds recorded from processed and modified audiocassette tapes.

Juraj Kojs curates a night where seven composers/performers introduce their approach to extending, hybridizing and abstracting principles of instrumental design in a multimodal musical performance. With Spencer Topel, Jorge Variego, Juraj Kojs, Sarah O’Halloran, Margaret Schedel, Chikashi Miyama, and Paula Matthusen.

This concert marks the release of Graham Lambkin and Jason Lescalleet second album, Air Supply. They describe their music as “musical settings for common environments and domestic situations,” and almost all of their source material is taken from field recording made around Lescalleet’s house.

Pianist and electronic musician Rod Williams will be joined by his new ensemble Options: Mark Helias (bass), Bruce Cox (percussion), Ray Spiegel (tabla), and special guests Neel Murgai (sitar) and Aditi Bhagwat (Kathak dance). Rod Williams began in the jazz world, but now composes mainly for multimedia.

The first night of composer and multi-instrumentalist Daniel Carter’s two-night residency features his band WAKE UP! following a set including Carter with guest musicians Laurie Hockman, Margo Grib, Claire de Brunner, Marianne Giosa, Rebecca Schmoyer, Taylor Cannizzaro, Ken Silverman, Pete Drungle, and Tom Zlabinger.

The final night of composer and multi-instrumentalist Daniel Carter’s two-night residency features two sets: the first including Carter with Indigo Street, John Bonhannon, Pete Drungle, Gary Heidt, and Justin Veloso, and the second with Atiba N. Weabena, Aquah Tcherbu, Motoki Mihara, Nkosi Nkululeko, and Federico Ughi.

In drummer Jim Pugliese’s current project, “Jimmy’s Music Club,” the musical structure stays the same but the musicians change all the time. Informed by everything from free impovisation to deep groove to Ghanaian drumming, his ensemble seeks to find the spiritual secrets of drumming.

A roundtable discussion of the new French writing will include John O'Brien (founder of Dalkey Archive Press), and Paul Otchakovsky-Laurens (founder of Editions P.O.L), as well as writers Mark Polizzotti and Brian Evenson and Brooklyn Academy of Music Humanities Manager Violaine Huisman.