Past Events

Ensemble Sospeso plays Morton Feldman’s three-hour duet for flute and keyboards, For Christian Wolff. An “extended waking dream,” it is generally regarded as the most austere of Feldman’s late works, fantastically quiet, full of pitches and yet somehow never quite emerging from a perpetual state of almost-being.

Karlheinz Stockhausen's last piece of electronic music, Cosmic Pulses, will have its NY premiere as part of the fourth annual Darmstadt: Essential Repertoire Festival. With an 8-channel sound system surrounding the audience, Cosmic Pulses is a behemoth, more sonic roller coaster than traditional concert piece.

Darmstadt: Essential Repertoire closes with the seventh annual performance of Terry Riley's minimalist classic, and instigator of a musical movement, "In C." The piece will be performed in true Darmstadt fashion, amplified and backed by former Swans drummer and La Monte Young collaborator Jonathan Kane.

Okkyung Lee has developed her own voice in a contemporary cello performance, improvisation and composition. Using her solid classical training as a springboard, she incorporates jazz, sounds, Korean traditional and pop music, and noise with extended techniques to create her unique blend of music.

The first performance of Robert Ashley’s Vidas Perfectas, the Spanish-language version of the ground-breaking opera Perfect Lives (1983) directed by Alex Waterman, premieres at the Irondale Theater in Brooklyn. Starring Ned Sublette with Elio Villafranca and music produced by Peter Gordon.

World premiere of the new trio ENOUGH!!!: CM von Hausswolff, Jason Lescalleet and Joachim Nordwall.

a canary torsi's Five Performers Demonstrate a Field is an investigation of how movement in a particular room affects a simple sound environment: specifically through Hemisphere speakers in the sanctum of the Old American Can Factory in Brooklyn. Choreographed by Yanira Castro, with music by Benjamin Bernstein.

Join us for a farewell to the Old American Can Factory! ISSUE Project Room is moving permanently to Downtown Brooklyn, and closing the Can Factory ane celebrating the release of Jonathan Kane’s February Live at ISSUE Project Room. With Talibam!, Jonathan Kane's February, and MV Carbon with Tony Conrad.

Composer-performance collective Wet Ink Ensemble kicks off Gaudeamus Muziekweek New York with the U.S. premiere of 2011 Gaudeamus Prize-winner Yoshi Onishi's "Départ dans..." Wet Ink will also play works by Ted Hearne, Chris Trapani and Richard Barrett along with works by Wet Ink members Alex Mincek and Kate Soper.

January 26 will feature Dutch electronic musician Wouter Snoei, an authority on 192-channel “wave-field” synthesis techniques. NY-based electronic artist Matthew Ostrowski will also perform, as well as the duo R WE WHO R WE, a collaboration between New York composer-performers Philip White & Ted Hearne.

Yannis Kyriakides, winner of the Gaudeamus prize in 2000 for his piece conSPIracy cantata, is currently based in Amsterdam. Ensemble MAE will join with the International Contemporary Ensemble (ICE) to perform a number of works by Kyriakides, as well as other Dutch composers Peter Adriaansz and Michel Van der Aa.

Iktus Percussion performs works for amplified triangle and 100 metronomes, among other instruments, by Ron Ford, Michel Van der Aa, Hugo Morales Murguia, Yannis Kyriakides, and Gyorgy Ligeti. Ensemble MAE will return to perform work by other composers, including Robert Ashley's "in memoriam ... Esteban Gomez."