Guitarist Alan Licht and percussionist Brian Chase (Yeah Yeah Yeahs) celebrate the release of their debut album "We Thought We Could Do Anything". Outstanding improvisors and guitarists Mary Halvorson and Joe Morris perform duo.
An evening exploring relationships of wind and electronics: Chicago's Coppice uncover sonic textures and compositional ideas peculiar to their unique setup of bellows and electronics. They are joined by Anne Guthrie and Richard Kamerman, a compositional collaborative whose long-form works emerged recently via ErstAEU.
ISSUE Project Room hosts a very special benefit party and concert to support 3 Operas by legendary American composer Robert Ashley, to premiere this April at the Whitney Biennial. Peter Gordon, Ned Sublette, Elio Villafranca and Alex Waterman perform solo sets.
Chris Brown, piano, Suzanne Thorpe, flute, and Nate Wooley, trumpet, perform improvised electroacoustic music using timbres and textures that emerge from extended instrumental techniques and live electronic transformation. Composer Alexandra Gardner presents two compositions for solo instruments and electronics.
The String Orchestra of Brooklyn performs the World Premiere of four new works by young composers at the forefront of composition and improvisation: Eli Keszler, Catherine Lamb, Zach Layton, and Doron Sadja. Now in its third edition, this year's "String Theories" is presented in collaboration with Roulette.
UNSOUND OPENING NIGHT: Oren Ambarchi presents a live version of “Knots” featuring percussionist Joe Talia and violist James Rushford leading the Sinfonietta Cracovia players. Spanish computer-music outfit EVOL premiere a new reinterpretation of conceptual artist and composer Hanne Darboven's legendary piece "Opus 17a".
First Unitarian Congregational Society: 116 Pierrepont St., Brooklyn, 11201
A special presentation of Demdike Stare’s audio-visual work “Concealed” is performed the Sinfonietta Cracovia players. Phill Niblock presents and solo work as well as "Unipolar Dance" for two violins. Stara Rzeka, a key player in Poland’s experimental scene offers "magical brutalism", blurring black metal and ambient.
An afternoon percussion concert is headlined by Sean Meehan & Ben Manely, veterans of the NY scene since the 80s, who improvise duo. Warsaw-based Hubert Zemler plays solo, crossing new music, world music and improvisation. Norway’s Håkon Stene performs works by Lars Petter Hagen and Michael Pisaro.
“Damaged Particulates (undersong edition)” is a new exploration of sub bass created by one the most prolific sound artists and electronic musicians in New York today, Ben Vida. Low frequencies will be transmitted directly to your body through seat-backs equipped with SubPac, a high-fidelity tactile audio system.
Unsound closes with a spotlight on Bocian Records. Kaptial merge electro-acoustics and psychedelic guitar. James Rushford & Joe Talia engage a palette of extended instrumental timbre and submerged synthesizers. Master Norwegian free jazz drummer Paal Nilssen-Love plays solo.
David Grubbs reads from "Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording", his long-awaited study of the role of sound recordings in representing experimental music of the 1960s. Grubbs is joined in discussion by a "jukebox jury" including Branden W. Joseph, Lisa Kahlden, and Marina Rosenfeld.
Tomutonttu AKA Finnish sound artist Jan Anderzén (Kemialliset Ystävät) returns to ISSUE for a rare US show— an ecstatic combination of reed streams, mutilated voices, groovy animal noises. Italian free jazz combo Jooklo Duo collaborate with guitarist Bill Nace, best known as half of Body/Head.
