Thomas Dexter’s performance work, best understood as a type of “live-filmmaking,” begins with the poetics of cinema as a vector for exploring physical translations and discursive negotiations between image and sound, signal and noise, and more broadly, representational systems.
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James Fei and Laetitia Sonami’s improvisational collaboration employs tactile interfaces and electronic systems that exhibit complex behavioral responses. Thomas Dexter presents a site-specific performance using 16mm projectors as instruments.
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Volume (IV) is an improvising quartet featuring electroacoustic harpist Shelley Burgon, turntablist Maria Chavez, laptop artist Stephan Moore and electroacoustic flutist Suzanne Thorpe. Volume (IV) present a new work for ISSUE's hemiespheric 15-speaker sound system, with nightly contributions from installation artists.