Solo sets by both artists accompany a new interpretation of John Cage's "Williams Mix" (1952) by Werner Dafeldecker and Valerio Tricoli, approaching the score from a contemporary perspective. In the context of digital audio and live instrumental performance, the work draws on a library of over 2000 pre-recorded sounds.

An evening with electronic music visionaries Rashad Becker and Valerio Tricoli, and a short film by Mark Fell. Becker creates precise, phantasmic sound designs encouraging audiences to focus their hearing. Tricoli explores music's ability to hover between the "here and now" of the event and the shady domain of memory.