Isolated Field Recording Series: Adjua Gargi Nzinga Greaves - "I Have Been Alive. And I Intend to Live."

Wed 01 Jul, 2020, 8pm
Streaming on this webpage, Vimeo, and Facebook Live

Wednesday, July 1st, ISSUE is pleased to stream I Have Been Alive. And I Intend to Live., a recording from writer Adjua Gargi Nzinga Greaves. The piece is part of the Isolated Field Recording Series, commissioning artists to produce field recordings to be streamed over the course of this challenging and isolated time.

At a time when many of us are at home and at our screens, taking stock and engaging new modes of planning, I Have Been Alive. And I Intend to Live. presents the inception of excavatory explorations and efforts at autobiographical inventory of a Black female writer born in the United States at the end of the twentieth century through a video timeline scaffold of the music, images, and verbal language she engages to chart her life experience as she marks 40 years of life on earth within such nested pandemics as COVID-19, AIDS, state-sanctioned violence, and myriad others. The source material determining the structure of her timeline is Greaves's frequent practice which comprises making note of how many days she has already been alive alongside a declaration of how many more she intends to live assuming a one-hundred year life span of thirty-six thousand five-hundred and twenty-five days. In the wake of the death of Sandra Bland, Greaves has made this private, life-affirming, praxis increasingly public so as to thwart any future efforts of genocidal forces should they be inclined to falsely claim she has taken her own life if she were to die in their custody. In the spirit of her unschoolMFA Mission Statement, and in the tradition of her ongoing work Florxabiography (2016 - Present), Greaves intends for I Have Been Alive. And I Intend to Live. to continue to expand and unfold in public presentation over the course of her life, ultimately reaching a running time of 11 hours and 47 minutes to be screened consecutively at midnight and then at noon on the 24th day of June in perpetuity.

I Have Been Alive. And I Intend to Live. begins at 8pm EST.

If you are in a position to do so, Adjua Gargi Nzinga Greaves has asked all donations during the event be directed to BlackOUT Collective.

Adjua Gargi Nzinga Greaves (New Yorker, b. 1980) writes ethnobotanical literary criticism and collages detritus into heraldic devices. Greaves has most recently been published in The Brooklyn Rail, and Letters to the Future: Black Women / Radical Writing (Kore Press). Her chapbook Close Reading As ForestryThe Florxal Review.

+ voices of Carl Sagan, Richard Feynman, Neil deGrasse Tyson, and Bill Nye via composer John D. Boswell's “We Are All Connected” Symphony of Science (2009) + voices of Sylvia Rivera & Marsha P. Johnson from The Death and Life of Marsha P. Johnson (2017) // ADJUA GARGI NZINGA GREAVES // NYC · 1980 // I Have Been Alive. And I Intend to Live. // JUNE · 2020 // for ISSUE PROJECT ROOM // isolated field recording series // 2020 JUL 01 W // with infinite thanks

In response to COVID-19’s impact on public assembly and our subsequent suspension of public programming, ISSUE’s Isolated Field Recordings Series commissions artists to produce field recordings to be streamed over the course of this challenging and isolated time. The series will support artists directly in an unprecedented moment of uncertainty, struggle, and financial risk and emphasize the solidarity of artists working in a situation where everyday life is confined and separated. Focusing on recordings from artists’ current conditions, the series will broadly approach the field recording as an expanded form and open invitation to experiment with home audio recording during this period of social distancing. The series will include forthcoming presentations by Adjua Gargi Nzinga Greaves (7/1), James K (7/2), Laura Ortman (7/8, and Aki Onda (7/15)). All times are 8pm EST.

Waiting room music is Tony Conrad's "Three Loops for Performers and Tape Recorders (1961)" performed by Lary 7 + Masami Tomihisa, Mia Theodoradus, Karen Waltuch, Paige Sarlin, Laura Ortman, and Delphine Griffith at ISSUE in 2017. Visuals are from ISSUE's AIR Alumni Collaborations performed by Bradley Eros & MV Carbon at ISSUE in 2017.

ISSUE Project Room's Isolated Field Recording Series is supported, in part, by the Café Royal Cultural Foundation.

As a part of ISSUE Project Room’s ongoing 2020 Spring Season, this series is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ISSUE gratefully acknowledges additional 2020 Spring Season support from NOKIA Bell Labs, The Golden Rule Foundation, Howard Gilman Foundation, and TD Charitable Foundation.