Nina Garcia / Lee Ranaldo & Leila Bordreuil

Fri 12 May, 2023, 8pm

Friday, May 12th at 8pm ET, ISSUE is pleased to present the debut U.S. performance from Parisian guitarist Nina Garcia, who performs solo in advance of her guest appearance as a part of ISSUE’s staging of Leila Bordreuil & Luke Stewart’s Feedback Ensemble on May 18th. To mark the occasion, Leila Bordreuil & legendary guitarist Lee Ranaldo will open the evening, reprising their recent duo for an evening that transgresses boundaries between instrumental improvisation and noise, with singular approaches to their respective instruments. The performances will take place at Brooklyn Music School in Fort Greene, Brooklyn.

Since 2015, Nina Garcia has been working with and researching the electric guitar at the intersection of improvised music and noise. Her instrumental setup is reduced to a minimum: a guitar, a pedal, and an amp with which she carves out sound, digging into its chaos to bring out unheard. For her solo music, attention is given to gesture and her ongoing research into the instrument: its resonances, its limits, its extensions, its impurities, its audible corners—to go with or against it, to contain it or to let it sound, to support it or to violate it. Her work explores feedback, cracklings, short circuits, impacts, harmonics, squeaks, and by chance, notes and almost perfect chords. 

Since March 2023, Garcia has been touring her new solo work. After several weeks of work notably at the Instants Chavirés (France), presents a new approach where the guitar is amplified in specific 1 inch zones. In her words, “using a micro-microphone, creates an ultra-territorial music, and a total dependence on the sounds produced by the slightest movement. These new approaches give birth to increased tension, forced silences, aborted feedbacks, and manufactured loops that try to move forward, always. The result is a high-intensity, handmade music that feels more like a duo than a solo. A convergence of wildness and tenderness with the instrument, a tense body-to -body between two vibrant souls—a musician and their instrument entangled in a poetic choreography.”

Guitarist and founding member of Sonic Youth Lee Ranaldo and cellist, composer, and 2016 ISSUE Artist-in-Residence Leila Bordreuil presented a first-time collaboration with Stephan Moore that celebrated David Tudor’s Toneburst composition created for the 1975 Cunningham Dance Sounddance at ISSUE’s 2016 Gala. Since then, Ranaldo & Bordreuil have gone on to perform at ISSUE again in 2019, and have conducted a series of recording collaborations at ISSUE’s 22 Boerum theater. Both artists have far-ranging improvisational histories and approaches, and this evening marks the next step in their developing collaboration. 

Nina Garcia lives and works in Paris. also plays in the group mamiedaragon, in Autoreverse with Arnaud Rivière, in duo with Danish trombonist Maria Bertel (from Selvhenter), and in duo with percussionist Camille Émaille. Since 2019, she is a member of the improvisation ensemble Le Un which gathers 25 European improvising musicians and artists. They organize different events in France around improvisation in large ensembles. Garcia has been selected for the European program SHAPE PLATFORM 2019. In 2020/2021 she was in residence at the GRM for a commission for the Présences Électroniques festival. She has performed at Instants Chavirés, Montreuil / Café Oto, London / Sonic Protest Festival, France / Sonic Acts, Amsterdam / Presence Electronique GRM, Paris / LUFF, Lausanne / Cave 12, Geneva / 104 and Gaité Lyrique, Paris / Museo National Reina Sofia, Madrid / Wharf Chambers, Leeds / All Ears, Oslo / Skanu Mezs, Riga / Echoraum, Wien / Occii, Amsterdam / Ateliers Claus, Brussels / Festival Banlieues Bleues, Pantin / FolkTeatern, Göteborg and more. Garcia has also been involved in the organization of concerts, the diffusion and transmission of experimental music for almost 10 years. Until 2021, she was in charge of transmission at Instants Chavirés, the epicenter of experimental music in France, then co-programmer of the concerts in 2020 and 2021. She invests herself in the pedagogy field around these musics by leading workshops and special concerts for art students, children and families.

Lee Ranaldo co-founded Sonic Youth in 1981, and has been active from New York for the past 40+ years, recording, performing, collaborating with numerous others, producing discs, exhibiting visual art and publishing volumes of poetry and journals. He has performed throughout the world, often with partner Leah Singer. His most recent album, In Virus Times, recorded during (and influenced by) the covid pandemic in autumn 2020. He was music producer for HBO’s VINYL series. His Hurricane Transcriptions (based on wind recordings made during Hurricane Sandy in NYC in 2013), originally written for Berlin’s Kaleidoscop String Ensemble, has recently been performed with Brooklyn’s Dither Electric Guitar Quartet and Yeahyeahyeah's percussionist Brian Chase. They are currently preparing recordings of the piece for release. Recent live performances with Singer, Contre Jour, have been large scale, multi projection sound+light events with suspended electric guitar phenomena that challenge the usual performer/audience relationship, often  via in-the-round staging. His 'Lost Highway' drawings have recently been shown at IKOB Museum, Belgium, and Karma Gallery Bookstore in NYC. 

Leila Bordreuil is a French-American cellist, composer, improviser and sound-artist based in Brooklyn. She accesses concepts as diverse as Noise, contemporary classical, free jazz, and experimental traditions but adheres to none of them. Her music mixes deep melancholia with cathartic harsh noise-walls, and was described by the New York Times as “steadily scathing music, favoring long and corrosive atonalities.” Driven by a fierce interest in pure sound and inherent texture, Leila challenges conventional cello practice through extreme extended techniques and unorthodox amplification methods, to the extent she sometimes seems to be playing the P.A system rather than her cello. Her compositions frequently incorporate sound-spatialization by way of site-specific pieces and multichannel installations. Collaboration is central to Leila's musical practice; she has worked extensively with Sean Ali, Bookworms, Michael Foster, Vincent Jehanno, Kali Malone, Joanna Mattrey, Bill Nace (Body/Head), Lee Ranaldo (Sonic Youth), Zach Rowden (Tongue Depressor), Julia Santoli, Tamio Shiraishi (Fushitutsa) and Luke Stewart. She is a Jerome Foundation Artist Fellow (2021-23) and was a 2022 commissioned composer and artist-in-residence at the GRM, Paris. She regularly tours in Europe and the US, performing at prestigious concert halls and punk houses alike.

Brooklyn Music School is a community school for the performing arts, founded in 1909 as the Brooklyn Music School Settlement. The school was founded by immigrants for whom music performance and appreciation was an essential part of life, and who wished to spread music and performance to a broader audience of new Americans. Today, Brooklyn is a magnet for people from around the world, both musicians seeking new audiences and families seeking a better life. Our organization continues to stay true to our heritage of building communities through the joy and appreciation of music.

ISSUE Project Room and Brooklyn Music School are partnering throughout 2023, having committed to sharing resources in support of the creation, presentation of, and engagement with experimental performance practices.

There are three steps at the main theater entrance of Brooklyn Music School, with a (non-ADA compliant) ramp at the loading area which can be used when needed. 

Leila Bordreuil and Luke Stewart: New Works for Feedback Ensemble has been made possible through Jazz & New Music, a program of Villa Albertine and FACE Foundation, in partnership with the French Embassy in the United States with support from the French Ministry of Culture, Institut français, SACEM (Société des auteurs, compositeurs et éditeurs de musique) and the CNM (Centre National de la Musique).

ISSUE Project Room programs are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature