This Summer, 2020, ISSUE and the Lower Manhattan Cultural Council present The Steve Circuit, an episodic series of videos and digital artwork dedicated to the late beloved poet Steve Dalachinsky developed by his wife, painter and poet Yuko Otomo, and interdisciplinary artist Matt Mottel. Born in Brooklyn in 1946, Dalachinsky was an unforgettable fixture within particular strains of experimental music, poetry, and art—and at cultural happenings and gatherings of all kinds in Lower Manhattan and beyond. Dalachinsky was an important figure to many. He passed away September 16th, 2019.
Steve’s art was created in tandem with the public life he lived. The places he inhabited—arts venues, community gardens, the New York Public Library neighborhood branch, his Spring Street sidewalk store—were all part of his daily routine. He was influenced by the culture he witnessed. He created his art both in public and at home. Late at night, in his apartment, after returning from film screenings, art openings, and multiple concerts, he returned to his collage artwork and to type up the poems he had written by hand during the day out in the world.
Over the course of six events throughout the Summer, 2020, these historical sites will be revealed in a weekly online presentation. Each week, videos made by Otomo & Mottel will be streamed pairing Dalachinsky text, recordings, and artwork, with additional artistic collaborators who were part of the Dalachinsky orbit. The online cultural map and presentation will provide a “virtual polaroid snapshot” of Downtown New York’s cultural history.
In addition to Otomo and Mottel, the series will feature contributions from Vito Ricci & Lise Vachon, Andrew Lampert, Jean Carla Rodea & Gerald Cleaver, Tom Surgal & Lin Culbertson, William Parker & Matthew Shipp, Lee Ranaldo & Leah Singer, and Loren Connors & Suzanne Langille.
Yuko Otomo is a visual artist and a bilingual poet of Japanese origin. She also writes art criticism, essays, travelogues, translates and keeps her cultural journal. She showed her visual work at Tribes Gallery, Anthology Film Archives Courthouse Gallery, ABC No Rio, Brecht Forum, Gallery 128 and Vision Festival etc. She read at the Poetry Project at St. Mark’s, Bowery Poetry Club, The Stone, ISSUE Project Room, Brooklyn Botanic Garden, Cornelia St. Café, NYU, and NYPL in NYC and in France, Germany and Japan. Her publications include Garden: Selected Haiku (Beehive Press), Small Poems (Ugly Ducking Press), The Hand of the Poet (UDP), Cornell Box Poems (Sisyphus Press), PINK (Sisyphus Press), STUDY & Other Poems on Art (UDP), Elements (Feral Press), KOAN (New Feral Press), FROZEN HEATWAVE: a collaborative linked poem project with Steve Dalachinsky (Luna Bisonte Prods) and the most recent Anonymous Landscape (Lithic Press). She lives in New York City.
Matt Mottel enlivens primary source materials and creates collaborative artworks that amplify knowledge and provide access to subterranean culture. Social activism and cultural community are threads that run throughout Mottel’s extensive body of performances, videos, sculptures and music. Mottel’s comprehensive artistic foraging stems from his native New York upbringing. ‘Moonlight University’ was in session, with Steve Dalachinsky and Yuko Otomo, who he first encountered as a teenager on the downtown new york scene in the late 90’s. In 2010, Mottel was selected by the late ISSUE Project Room founder Suzanne Fiole as an Artist in Residence, and it was in this period that he developed an ongoing multimedia project that utilizes the cultural photography of his father, Syeus Mottel. He is currently researching the 18th century era of the keytar and is also inspired by the 24 hour format that was HnH Bagels…. ‘it's everything.’
Lee Ranaldo co-founded Sonic Youth in 1981, and has been active from New York for the past 35 years, recording, performing, collaborating with numerous others, producing discs, exhibiting visual art and publishing volumes of poetry and journals. He has performed with partner Leah Singer throughout the world. His recently completed new album, Electric Trim, is out for release. He is music producer for HBO’s VINYL series. His Hurricane Transcriptions (based on wind recordings made during Hurricane Sandy in NYC in 2012), originally written for Berlin’s Kaleidoscop String Ensemble, was recently reduced for performances with Brooklyn’s Dither Electric Guitar Quartet. Recent live performances with Singer, Contre Jour, have been large scale, multi projection sound+light events with suspended electric guitar phenomena that challenge the usual performer/audience relationship via in-the- round staging.
Leah Singer was born in Winnipeg, moving east to Toronto, Montreal and Tokyo before settling in New York City. She is a visual artist and a writer. Her artist publications are in the collections of the Museum of Modern Art and the Whitney Museum of American Art. The live manipulated film and video performances she started doing in the early 1990’s in collaboration with musicians, including husband Lee Ranaldo, have toured widely including to The Rotterdam International Film Festival, The Reykjavik Arts Festival, and the JUE music festival in Shanghai. She continues to develop site-specific video installations intended to exist both as static artworks and components to live music performances. She recently contributed video to the multi artist project, The Exhibition of a Film, curated by Mathieu Copeland with recent screenings at the Tate Museum and the Centre Georges Pompidou.
