Events 2013

John Cage & Lejaren Hiller, HPSCHD

Eyebeam: 540 W 21st St., NYC 10011

HPSCHD, John Cage’s legendary Gesamtkunstwerk is a mass media orgy, considered by many the wildest, largest, and loudest musical composition of the 20th century. Its very nature is inextricable from the tumult of the year it premiered, 1969. With Joel Chadabe, keyboardist Neely Bruce and video directed by Braley Eros.

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James Hoff

155 Freeman St., Brooklyn (Greenpoint)

Paralleling his recent series devoted to the overlap between idea-based art, culture bound illnesses, and conceptual poetics, James Hoff is devoting his residency to exploring the concept of involuntary musical imagery, or earworms. Here he gives a performative lecture on his research and compositional strategies.

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Renata Adler

155 Freeman St., Brooklyn (Greenpoint)

To celebrate her recently back in print novels "Speedboat" and "Pitch Dark", author Renata Adler reads from both works followed by a conversation with NYRB Classics editor Edwin Frank. Adler is well known for her tenure at the New Yorker, who recently called the novels "fundamentally probing, even discomfiting, books".

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Sabisha Friedberg: "Hoffe-Axiom" Installation

EXTENDED! Saturday from 12-5pm, the subsonic artifacts of Sabisha Friedberg's "Hoffe Axiom" are installed in ISSUE's theater as a quadrophonic installation. Four subwoofers project a series of cyclical sonic traces or phantom sounds in patterns of low-end frequencies.

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devynn emory

ISSUE Project Room, 22 Boerum Place, Brooklyn

devynn emory, known for structured, formal, and spatially detailed dances, presents a semi-collaborative text piece with vocalist Margot Bassett: a collision of emory's formal movement structure, pushing away from the body and through the mouth to create hyper composed sounds.

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Keiji Haino and Tamio Shiraishi

ISSUE Project Room, 22 Boerum Place, Brooklyn

SOLD OUT! A rare performance by this original, unrecorded Fushitsusha lineup from the 1970s with founding member, New York-based saxophonist Tamio Shiraishi. Known for its torrential walls of sound, Fushitsusha was formed by Haino in '78— initially with Haino on guitar and vocals, and Shiraishi on synthesizer.

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Keiji Haino Solo

ISSUE Project Room, 22 Boerum Place, Brooklyn

SOLD OUT! Opening a three night festival, Keiji Haino gives his first ever solo vocal concert in NYC. Known for intensely cathartic sound explorations, Haino’s unaccompanied wordless screamed vocal performances mark the influence of Artaud’s obsession, with voice violently severed from the body.

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Sabisha Friedberg: Hoffe - Axiom

Sabisha Friedberg presents Hoffe - Axiom, a new chamber piece for acoustic instruments, modified subwoofers, and voice. The work draws on extremes of perception in the lower end of the sonic spectrum: the opening of a psychoacoustic territory which deals exclusively with bass tones.

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Lecture: Carol Robinson & Frances-Marie Uitti

ISSUE Project Room, 22 Boerum Place, Brooklyn

Clarinetist Carol Robinson and cellist Frances-Marie Uitti give a free lecture with music examples, a demonstration of their pioneering techniques that have expanded the fields of their respective instruments. "Composing with Random Generators" is led by Robinson, and "Strips, Tubes and Code", by Uitti.

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Carol Robinson & Frances-Marie Uitti

ISSUE Project Room, 22 Boerum Place, Brooklyn

Clarinetist Carol Robinson and cellist Frances-Marie Uitti have worked in parallel for years, originating from their work with Giacinto Scelsi. US Premieres by Robinson/Uitti, Eliane Radigue, Giacinto Scelsi, and Annie Gosfield open this two-night residency, plus a solo cello work by Jonathan Harvey.

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Jules Rosskam: No Place But Between Us

ISSUE Project Room, 22 Boerum Place, Brooklyn

Jules Rosskam invites you to an exploration of a no-good-place. A performative lecture of research on utopia— presented as an open rehearsal for Rosskam's ‘live film’ in July— "No Place But Between Us" investigates utopia not as a distant, ever unreachable, ideal world, but as a force that exists in and between us.

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