Monarch Butterfly by rocío sánchez (2026 AIR) features Melissa Almaguer (tap dance and percussion) and Kenneth Jiménez (double bass). Together, the trio explores the elusive monarch’s migratory journey through sound and movement, with each instrument articulating distinct states of motion.
Isabella Thorpe-Woods presents "Envelop/e," her second program as ISSUE’s 2026 Suzanne Fiol Curatorial Fellow. Bringing together choreographers Jade Manns and Ella Dawn W-S for site-specific duets, they navigate presence and absence, repetition and rupture, and the tension between inherited geometries and shifting landscapes.
"Spiriting Off" is a new solo work by luthier Webb Crawford (2026 AIR) for electric guitar, tenor banjo, and five-string banjo.
ISSUE closes the summer season with the return of Matana Roberts (2009 AIR). Opening the evening, Ben Vida (2013 AIR) will perform music from his 2026 release, "Oblivion Seekers" with vocalist Sara Magenheimer.
Paralleling his recent series devoted to the overlap between idea-based art, culture bound illnesses, and conceptual poetics, James Hoff is devoting his residency to exploring the concept of involuntary musical imagery, or earworms. Here he gives a performative lecture on his research and compositional strategies.
To celebrate her recently back in print novels "Speedboat" and "Pitch Dark", author Renata Adler reads from both works followed by a conversation with NYRB Classics editor Edwin Frank. Adler is well known for her tenure at the New Yorker, who recently called the novels "fundamentally probing, even discomfiting, books".
EXTENDED! Saturday from 12-5pm, the subsonic artifacts of Sabisha Friedberg's "Hoffe Axiom" are installed in ISSUE's theater as a quadrophonic installation. Four subwoofers project a series of cyclical sonic traces or phantom sounds in patterns of low-end frequencies.
devynn emory, known for structured, formal, and spatially detailed dances, presents a semi-collaborative text piece with vocalist Margot Bassett: a collision of emory's formal movement structure, pushing away from the body and through the mouth to create hyper composed sounds.
SOLD OUT! A rare performance by this original, unrecorded Fushitsusha lineup from the 1970s with founding member, New York-based saxophonist Tamio Shiraishi. Known for its torrential walls of sound, Fushitsusha was formed by Haino in '78— initially with Haino on guitar and vocals, and Shiraishi on synthesizer.
SOLD OUT! Opening a three night festival, Keiji Haino gives his first ever solo vocal concert in NYC. Known for intensely cathartic sound explorations, Haino’s unaccompanied wordless screamed vocal performances mark the influence of Artaud’s obsession, with voice violently severed from the body.
Sabisha Friedberg presents Hoffe - Axiom, a new chamber piece for acoustic instruments, modified subwoofers, and voice. The work draws on extremes of perception in the lower end of the sonic spectrum: the opening of a psychoacoustic territory which deals exclusively with bass tones.
Frances-Marie Uitti + Carol Robinson in Residence
Clarinetist Carol Robinson and cellist Frances-Marie Uitti are joined by Nate Wooley (trumpet) and Satoshi Takeishi (percussion) for a series of improvisations.