Upcoming Events

ISSUE's celebration of Sonic Arts Union continues with an expansive evening of works + archival presentations featuring presentations from friends and colleagues inspired by their approach, including Stephen O'Malley, Paula Matthusen, Philip White, James Fei, and Oren Ambarchi & crys cole.

The first evening of a series observing the legacy of experimental music collective the Sonic Arts Union and its founding members: David Behrman, Alvin Lucier, Gordon Mumma, and the late Robert Ashley (1930-2014), features both performances from Sonic Arts Union members and stagings of their compositions.

Julia Santoli continues her 2018 residency with the premiere of a new work within her “Siren Sore” cycle: a mutant project of myriad form manifesting as visual project, recording album, and performance through genre-crossing collaborations. The evening premieres “burning body of love” with double bassist Zach Rowden.

During his 2018 ISSUE residency, choreographer and performer Will Rawls takes the multifarious figure of the cursor as a guideline to investigate his work that encompasses dance, writing, voice and objects. Cursor 2: Ditties is language gaming for a voice and body in motion.

With roots in industrial music, and a penchant for recording everything from rainforests to skyscrapers, López’ work concerns complex phenomenological referencing to the “substance of reality." Composer Beth Bradfish presents work brining the audience as close to sound as possible, with Diane Moser & Max Johnson.

ISSUE and Harvestworks present acclaimed sonicist, composer, and biologist Francisco López making a rare NY appearance, his first at ISSUE since 2014. The evening also features composer, performer, and kinetic installation artist Michael Theodore's “Sound Houses (i)”, the first in a series inspired by Francis Bacon.

ISSUE, in partnership with the Center for Italian Modern Art, presents an evening of experimental opera. The program features the first American re-staging of Alberto Savinio’ avant-garde operetta Les chants de la mi-mort and the NYC premiere of the latest scene in Nick Hallett’s serial opera, To Music.

For their second program as the 2018 Suzanne Fiol Curatorial Fellow, Queer Trash is elated to present Black Leather Jesus, (A)sex, Mad Recital, and Rachika S. Queer Trash turns to refuse in both senses of the word: refuse of discarded detritus, and refuse as in “no fucking way.”