For this anniversary season, Haela Hunt-Hendrix presents a limited capacity solo program for looped electric guitar, voice, electronics, and piano. Drawing from the Liturgy oeuvre, the evening also features new compositions presented at ISSUE for the first time.
Noveller (2009 AIR) debuts selections from her latest album, I Am The Weather, alongside music drawn from across her catalog. Axine M (2024 AIR) performs with fretless guitar, voice, and computer
Developed throughout sánchez’s residency, Caminos provides a framework for musical ideas to emerge and unravel through improvisation, extended technique, and lighting design. sánchez is joined by friends and collaborators che ali, Nava Dunkelman, and Henry Fraser.
ISSUE presents DREAMCLUB_RADI0, an extra-dimensional radio program which takes place at 3:⚐ℹ︎.?⛽︎ A.M. every night. On this special evening, join your hosts as they make a rare visit to the material plane at MITU580.
Webb Crawford presents that passed away, this also may. For their culminating residency commission at ISSUE’s 22 Boerum Pl. theater, Crawford and collaborator Emma Mistele will play the organistrum in trio with Sam Boston performing on his self-built electric duochord with wheel.
ISSUE is thrilled to present a talk with legendary composer, trumpeter, and conceptualist Jon Hassell, a hugely influential figure in modern electronic music and creator of the “Fourth World” aesthetic -- a graceful interface of deep tradition with new technologies. This is his first NYC appearance since 2009.
Regenerative Feedback: On Listening and Its Emancipatory Potential
Regenerative Feedback concludes with presentations by Dreamcrusher, writer/lecturer Sami Khatib, sound artist Neha Spellfish, editor Jon Lindblom, author Paul Rekret. The evening also features a performance from Flora Yin-Wong and Colin Self demonstrating Xhoir, a non-utilitarian choir.
Regenerative Feedback: On Listening and Its Emancipatory Potential
Regenerative Feedback continues, exploring the various ethical dimensions, historical circumstances, and cultural resonances of musical artifacts through a series of individual presentations, a roundtable conversation guided by a moderator, interlocuting performances, and extended Q&As.
Regenerative Feedback: On Listening and Its Emancipatory Potential
Friday, May 25th, ISSUE is pleased to open Regenerative Feedback: On Listening And Its Emancipatory Potential, a three day symposium of talks, presentations, discourse, and performances centered around biological, social, political and cognitive negotiations in music.
Brandon Lopez continues his 2018 residency with the ISSUE debut of his piano trio, dubbed "Mess," with pianist Sam Yulsman and drummer Chris Corsano. Here, Lopez attempts to dismember the notion of the piano trio to create a counterpart where each instrument functions outside of their supposed traditional roles.
Vanessa Rossetto and C. Lavender each present new compositions, respectively exploring how trauma and memory collude with audition as a co-composional material. Rossetto presents a localization of transgenerational trauma, Lavender uses "frequency following" as a form of rehabilitation.
Syncretics Series continues with solo performances by renowned Irish pianist Isabelle O’Connell and drum-set master Pheeroan akLaff. O’Connell is a stalwart of the contemporary concert music scene; akLaff imbues his work with ancient belief systems that address creativity as received rather than generated.
Artists-In-Residence 2018
James K opens her residency with the premiere of ELEKTRA (Scream Through the Eyes of a Statue), a multimedia performance conceptualizing the female voice as an “X-ray to the bones of sound," with Eve Essex (winds and electronics), Via App (electronics), Leila Bordreuil (cello) & Eli V Manuscript (textual alchemy).