MV Carbon / Keke Hunt
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
The second night of Amplify 2015 sees first time duo performances by Michael Pisaro with Ben Owen, and Graham Lambkin with Taku Unami. Olivia Block and Jason Lescalleet present a collaborative composition for inside grand piano, amplified objects and real-time processing.
AMPLIFY 2015 opens with a night of three duos. Chicago-based composer Olivia Block and NYC turntablist Maria Chavez play for the first time together. Exploratory percussionist Sean Meehan and Tokyo's Taku Unami, as well as LA-based composer Michael Pisaro and sound artist Graham Lambkin reprise their collaborations.
Artist/filmmaker Madison Brookshire presents a piece for solo guitar featuring Che Chen, and a multimedia ensemble work. Francesco Gagliardi stages a series of acoustic performances for manipulated objects, handmade and found. Paula Matthusen crosses field recordings and improv featuring recorder player Terri Hron.
A series of new works investigate intersections of tape and live performance, and composition with improvisation. A “portrait” combines real-time performance and pre-arranged recordings as a subjective homage. Another piece is built from acoustic recordings of Columbia's electronically-defunct RCA Mark II Synthesizer.
Lea Bertucci explores the sonic qualities of a decrepit alto sax uncovered from Bradley Eros' basement, with a live collage of 35mm slide and 16mm film projections by Eros. Anthony Saunders, of seminal harsh noise group Bastard Noise, performs with Bertucci on bass clarinet, celebrating the duo's first cassette.
Andrew Lampert presents a collection of new and recent pieces from his deep back catalog of films, videos, and performances. This evening is built around a number of new instruction-based performances, combining elements of predetermined structure and improvisation.
Malcolm Goldstein has extended the sonic boundaries of improvisatory practice and the violin since the early 1960s. Tonight, he presents a 4-part solo program dedicated to Ornette Coleman, including Coleman's 1986 composition "Trinity", a modular suite of solo pieces dedicated to the performer.
Choreographer Kim Brandt premieres a new work for large ensemble as part of her 2015 ISSUE residency. A series of systems for a “body of bodies” to move within, the piece explores a process in which the group metamorphoses through the sum of its parts.