MV Carbon / Keke Hunt
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
For the last 20 years free jazz drummer Paal Nilssen-Love has built a formidable reputation as one of the world’s most energetic and prolific musicians. His 11-piece band Large Unit is Nordic music at its most powerful, veering between sheer force and more subtle and textural passages.
Felix Bernstein is skewered, roasted, and bloodied as he launches his debut book, Notes on Post-Conceptual Poetry, into the art and poetry world that it viciously deconstructs. Alex Fleming hosts Cecilia Corrigan, Trisha Low, Merrie Cherry, and Adam Fitzgerald, with music by Cammisa Buerhaus.
David Rosenboom's "How Much Better If Plymouth Rock..." is among the composer's most radical works; a stellar ensemble performs with animation and live, light compositions. "Continental Divide" articulates harmonic resonances emerging as an opening tritone slowly finds its path to resolution.
In "Ringing Minds", David Rosenboom and collaborators extend musical interfacing with human nervous systems, detecting resonances among multiple brains. "Choose Your Universe" is an assemblage in time drawing from several major works, highlighting the vast range of musical types Rosenboom has traversed.
The field of Brain-Computer Interfacing has experienced leaps and bounds in technological progress, enabling the pursuit of applications in music and allied arts that could only be imagined before. David Rosenboom, Tim Mullen and Alex Khalil will demonstrate some of these developments first hand.
A landmark work for percussion, electronics, and auxiliary keyboard and glissando instruments, David Rosenboom’s "Zones of Influence" was an early breakthrough linking electroacoustic performance to interactive compositional algorithms. The piece was written expressly for William Winant, who performs here.
Tectonics closes with the premiere of Nate Wooley's "Seven Storey Mountain V", expanded in scale and complexity for a 19-piece ensemble. Maya Dunietz performs "Boom" for vocals, electronics, piano, and video. Fritz Welch (Peeesseye) performs solo. TILT Brass play a trombone quintet by William Dougherty.
David Behrman presents his classic "Wave Train" and the ensemble work "Long Throw." James Rushford & Klaus Lang play a first-time duo. A solo program by Joseph Kubera includes works by Julius Eastman, Chiyoko Szlavnics, and Barbara Monk Feldman. Beth Griffith sings work by “postminimalist” John McGuire.