Upcoming Events

No-Neck Blues Band

First Unitarian Congregational Society

Formed in NYC in 1993, the improvising collective No-Neck Blues Band (NNCK) favors anonymity, autonomy, and obfuscation. Alongside founding member Keith Connolly (2016 AIR), they return to open ISSUE’s Fall season at First Unitarian Congregational Society in Brooklyn.

Sergei Tcherepnin

22 Boerum Place, Brooklyn 11201

Incorporating elements of noise, trance and minimalism, Sergei Tcherepnin (2012 AIR) presents new work for Serge Modular synthesizer.

Past Events

Sabisha Friedberg: The Hant Variance

Artists Space Books & Talks: 55 Walker St., NYC 10013

Sabisha Friedberg presents a live mix of the third and final movement of "The Hant Variance" as a multichannel/quadraphonic piece. This finale, the most symphonic in it construction and melancholic in its tonality, is the resolution to the first two movements, released as a 2xLP on ISSUE's Distributed Objects imprint.

Paal Nilssen-Love Large Unit

First Unitarian Congregational Society: 116 Pierrepont St., Brooklyn 11201

For the last 20 years free jazz drummer Paal Nilssen-Love has built a formidable reputation as one of the world’s most energetic and prolific musicians. His 11-piece band Large Unit is Nordic music at its most powerful, veering between sheer force and more subtle and textural passages.

Littoral

The Roast of Felix Bernstein: Notes on Post-Conceptual Poetry

Artists Space Books & Talks: 55 Walker St., NYC 10013

Felix Bernstein is skewered, roasted, and bloodied as he launches his debut book, Notes on Post-Conceptual Poetry, into the art and poetry world that it viciously deconstructs. Alex Fleming hosts Cecilia Corrigan, Trisha Low, Merrie Cherry, and Adam Fitzgerald, with music by Cammisa Buerhaus.

David Rosenboom: Propositional Music

Continental Divide & How Much Better If Plymouth Rock Had Landed On The Pilgrims

the Whitney Museum: 99 Gansevoort St, NYC 10014

David Rosenboom's "How Much Better If Plymouth Rock..." is among the composer's most radical works; a stellar ensemble performs with animation and live, light compositions. "Continental Divide" articulates harmonic resonances emerging as an opening tritone slowly finds its path to resolution.

David Rosenboom: Propositional Music

Ringing Minds & Choose Your Universe

the Whitney Museum: 99 Gansevoort St, NYC 10014

In "Ringing Minds", David Rosenboom and collaborators extend musical interfacing with human nervous systems, detecting resonances among multiple brains. "Choose Your Universe" is an assemblage in time drawing from several major works, highlighting the vast range of musical types Rosenboom has traversed.

David Rosenboom: Propositional Music

Advanced Brain-Computer Interfacing in the Arts

the Whitney Museum: 99 Gansevoort St, NYC 10014

The field of Brain-Computer Interfacing has experienced leaps and bounds in technological progress, enabling the pursuit of applications in music and allied arts that could only be imagined before. David Rosenboom, Tim Mullen and Alex Khalil will demonstrate some of these developments first hand.

David Rosenboom: Propositional Music

Zones of Influence

the Whitney Museum: 99 Gansevoort St, NYC 10014

A landmark work for percussion, electronics, and auxiliary keyboard and glissando instruments, David Rosenboom’s "Zones of Influence" was an early breakthrough linking electroacoustic performance to interactive compositional algorithms. The piece was written expressly for William Winant, who performs here.

Tectonics Festival New York 2015

Nate Wooley: Seven Storey Mountain V, Maya Dunietz, Fritz Welch, TILT play William Dougherty

Abrons Art Center: 466 Grand St., NYC 10002

Tectonics closes with the premiere of Nate Wooley's "Seven Storey Mountain V", expanded in scale and complexity for a 19-piece ensemble. Maya Dunietz performs "Boom" for vocals, electronics, piano, and video. Fritz Welch (Peeesseye) performs solo. TILT Brass play a trombone quintet by William Dougherty.