MV Carbon / Keke Hunt
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
PRE-SALE SOLD OUT, limited door tickets! Artist-in-Residence Raúl De Nieves & Colin Self premiere their new chamber opera, "The Fool." A four-act work for chorus and string-ensemble, "The Fool" is a mystical and allegorical journey performed by a group of friends on a quest to unite themselves one with the other.
Piano/percussion quartet Yarn/Wire premiere a new piece by German experimentalist Marcus Schmickler, a microtonal score for keyboards and mallets, juxtaposing fixed pitch with pitch continua. Schmickler also presents a new eight-channel electronics work, tracing parallels between linguistics and sound.
Our two-night spotlight on the Kye record label closes with a solo performance by improvising violinist Malcolm Goldstein, and Kye label-head Graham Lambkin duo with James Rushford. Lambkin also presents a tape piece by Henning Christiansen, a Danish composer and an active member of the Fluxus-movement.
An opera scene by Paul Pinto features renowned vocalist Joan La Barbara as the posthumous spirit of Thomas Paine. Gelsey Bell’s "Weight", written for Ne(x)tworks and ISSUE's theater, receives its world premiere. Miguel Frasconi’s "Sun Studies", interprets The Cantilever Rainbow, a poetic and visual text from 1965.
Electronics manipulator Tim Goss, formerly of the Shadow Ring, appears with Call Back the Giants, an inter-generational duo with his daughter, Chloe Mutter. Vanessa Rossetto conjures evocative visual-soundscapes in a duo with guest TBA. Matt Krefting presents his refined, textural soundscapes in a solo performance.
Clarinetist Carol Robinson and trumpeter Nate Wooley give American and World Premieres of new works by iconoclastic French composers Denis Dufour and Eliane Radigue. Radigue's "Occam" pieces are part of a substantial set of new works composed with a small group of the world’s finest contemporary musical voices.
Solo sets by both artists accompany a new interpretation of John Cage's "Williams Mix" (1952) by Werner Dafeldecker and Valerio Tricoli, approaching the score from a contemporary perspective. In the context of digital audio and live instrumental performance, the work draws on a library of over 2000 pre-recorded sounds.
A newly commissioned opera by Elliott Sharp depicts the final moments of philosopher Walter Benjamin’s life in Port-Bou at the French-Spanish border as he flees Nazi-occupied France. Bass/baritone Nicholas Isherwood stars with pianist Jenny Lin, accordionist William Schimmel, and electro-acoustic backgrounds by Sharp.