MV Carbon / Keke Hunt
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
Berlin-based Danish sound artist Jacob Kirkegaard presents ISFALD, a recent immersive solo soundwork. The piece features the sounds of ice, recorded with underwater microphones at the Ilulissat icefjord and with vibration sensors at the melting glaciers of Kangerlussuaq, Greenland in June 2013.
Yarn/Wire/Currents continues with premieres of newly commissioned works for piano/percussion quartet Yarn/Wire by Christopher Trapani and Pete Swanson. Trapani explores the concept of stopping time, Swanson, in his second collaboration with the ensemble, forays into the intersection of electronic and acoustic sound.
An evening of anecdotes and admiration celebrates the life and work of Muriel Spark in anticipation of a forthcoming collection of her essays and 8 republished novels (New Directions). With authors and editors Barbara Epler, Maud Newton, Sadie Stein, Emily Stokes and Thessaly LaForce with moderator Michael Barron.
Ultima closes with attention turned to composer Arne Nordheim. Acclaimed Nordic group Serena-Maneesh & vocal ensemble perform Somnambulism, a tribute to Nordheim's musical spirit. His "Flashing" is performed by outstanding accordionist Frode Haltli, alongside works by Magnar Åm, Aldo Clementi, and Hans Abrahamsen.
An afternoon concert pairs solo piano performances by the young Finnish musician Antti Tolvi and acclaimed composer/performer Lubomyr Melnyk, architect of the Continuous Music method. Both venture far outside the classical tradition, sharing an emphasis on the instrument's capacity for extended harmony and overtone.
Radical Danish artist Henning Christiansen’s performance work "Requiem of Art (NYC) Fluxorum Organum" receives its first NY presentation, in a new interpretation developed by Anton Lukoszevieze, who leads the superb Ne(x)tworks ensemble. The program includes works by Arne Nordheim, Shelley Burgon and Kristin Norderval.
Berlin-based Danish sound artist Jacob Kirkegaard presents Faust and other works by the pioneering electronic musician Else Marie Pade (not present). Acclaimed piano/percussion quartet Yarn/WIre perform works by composers Øyvind Torvund, Simon Steen-Andersen and Anna Thorvaldsdottir/Sigurdur Gudjonsson.
Catherine Christer Hennix appears alongside her Berlin-based just intonation ensemble Chora(s)san Time-Court Mirage as part of Ultima. In their first-ever US performance the group premieres Blues Alif Lam MimM, intended to reveal the blues' origins in the eastern musical traditions of raga and maqam musics.