Media

ISSUE has a significant archive of performance documentation that represents both an important link to the past, and a future resource for artists and audiences. ISSUE’s public media archive is a consistently updated and freely accessible collection of video and audio documentation from recent and past ISSUE performances. Currently, ISSUE is in the process of digitizing historical documentation from its former homes at The Old American Can Factory and silo space in Gowanus, Brooklyn. Regular updates feature newly published materials within ISSUE’s constantly expanding performance history.

Chris McIntyre & Lea Bertucci

ISSUE commemorates the close of 2016 with a special year-end event with two new compositions from sound artist/composer Lea Bertucci and performer, composer and curator Chris McIntyre.

Rose Kallal

Rose Kallal presents a cinema performance using immersive, multiple 16mm film loops created using a wide range of technical processes including traditional animation techniques, video synthesis/feedback, and computer animation, along with Kallal's own electronic sound work using modular synthesis.

Nao Nishihara & Aki Onda

NYC-based composer and performer Aki Onda and Yokohama-based sound practitioner Nao Nishihara began collaborating in 2015 while Nishihara was residing in New York as an Asian Cultural Council grantee. Nishihara returns to New York Thursday, November 10th, to further develop their sonic and spatial exploration. The duo explores the architecture and acoustics of ISSUE's 22 Boerum Place theater site-specifically, presenting a non-directional sound/visual landscape by installing handmade instruments and analog equipment within a visually arranged set-up.

After 9 Evenings: John Cage’s "Variations VII” Realized by Ed Bear

Ed Bear performs a newly-commissioned interpretation of John Cage’s infamous "Variations VII.” First performed at “9 Evenings” (1966), the stochastic piece included only technologically-produced or electrically-amplified sound from a variety of sources, transmitted or picked up live in the performance space.

After 9 Evenings: LoVid

Drawing inspiration from the study of proxemics, LoVid presents "Interplayce" -- a work concerned with the distances between people depending on the relationships and contexts in which they interact and examining the relationship between the body and architectural instruments.

After 9 Evenings: Thomas Dexter

Thomas Dexter’s performance work, best understood as a type of “live-filmmaking,” begins with the poetics of cinema as a vector for exploring physical translations and discursive negotiations between image and sound, signal and noise, and more broadly, representational systems.

After 9 Evenings: Morton Subotnick & Lillevan

Pioneering experimental composer Morton Subotnick premieres a new collaboration with Berlin-based video artist, Lillevan. Their light and sound duet combines analog recordings, electronic patches, and live performance on a hybrid Buchla 200e/Ableton “instrument” with live video animation.

Zeena Parkins & Brian Chase at First Unitarian Congregational Society

Pioneering harpist and multi-instrumentalist Zeena Parkins performs a duo set with composer and drummer Brian Chase, two performers who share a focused intensity and immediate physicality. As an ensemble, their music crafts hyper-vivid portraits-in-sound which integrate the detail and subtlety of classical composition with the energy and urgency of improvisation.

Eartheater at Pioneer Works

ISSUE Project Room and Pioneer Works present a summer marathon event on July 30th featuring a rare New York appearance from Daniel Menche and performances from Container, MV Carbon, Eartheater, Greg Fox, Ben Vida, and Horse Lords live in Red Hook, Brooklyn.