Japanese artists Takahiro Kawaguchi and Makoto Oshiro use homemade devices and everyday objects to create sounds with discrete relationships to performance spaces. Kawaguchi performs with handmade acoustic horns and small objects, Oshiro improvises with diverse materials including electronics and household products.

Active since the 1960s, Japanese sound artist Akio Suzuki's intensive involvement with the phenomena of pulse and echo led him to develop his own instruments, many of which employ quotidian and modest objects. In this acoustic solo performance, he reprises four pieces from his late 70s series "Conceptual Soundwork".

Williams' final residency presentation is a collaborative textile, video, sonic, and linguistic work that centers on the intersections between a screen and its projection and on the unseen gestures that vanish into the surface of images they create.