James K opens her residency with the premiere of ELEKTRA (Scream Through the Eyes of a Statue), a multimedia performance conceptualizing the female voice as an “X-ray to the bones of sound," with Eve Essex (winds and electronics), Via App (electronics), Leila Bordreuil (cello) & Eli V Manuscript (textual alchemy).
Pioneering electronics composer David Behrman collaborates with fiddler, improviser, and composer Cleek Schrey. Together, the two perform newly-developing situations: re-worked pieces from the past, embedded Appalachian fiddle tunes, and new compositions.
Julia Santoli opens her 2018 ISSUE residency with the premiere of two new works within her “Siren Sore” cycle: a mutant project of myriad form manifesting as visual project, recording album, and live performance through genre-crossing collaborations. Each new work features Tamio Shiraishi and Geng, respectively.
ISSUE is pleased to present the debut NYC showcase of Pacific City Sound Visions, an experimental label helmed by Spencer Clark. The evening features debut American performances from Francesco Cavaliere and Leila Hassan, as well as new work from Lieven Martens Moana and Clark’s own Typhonian Highlife project.
Félicia Atkinson presents a brand new work involving an imaginary dialogue between the poems of Francis Ponge and texts of her own, in French and in English, with electronics, voice and piano. The evening also features Afrikan Sciences & Sassacyprigo performing nuanced soundscapes conjuring different temporalities
During his 2018 ISSUE residency, choreographer and performer Will Rawls takes the multifarious figure of the cursor as a guideline to investigate his work that encompasses dance, writing, voice and objects. In this first research showing, Rawls focuses on the materiality of his voice as it runs through his writing.
Paul de Jong, cellist and co-founder of celebrated experimental duo the Books, and composer and violist Jessica Pavone’s String Ensemble each present new work -- spanning de Jong’s distinctly hybrid and emotionally-driven cello music, to Pavone’s uniquely physical compositions for strings.
March 18th 2018, ISSUE hosts an interactive performance of the rhythmic game and composition Stridulations For The Good Luck Feast with Billy Martin, joined by TILT Brass and fellow musicians as a part of French Institute Alliance Française’s 2018 Tilt Kids Festival. Entry is $25 for a child with an accompanying adult.
For their first program as 2018 Suzanne Fiol Curatorial Fellow, Queer Trash is delighted to present Brutal Measures (Lydia Lunch + Weasel Walter), Keijaun Thomas, and Straight Panic. Queer Trash cruises in relentless pursuit of bodily disruptions and sonic deviance against avant-normativity.
Computer music pioneer Carl Stone, composer/performer Ned Rothenberg, and Tokyo-based vocalist Ami Yamasaki perform in an evening of overlapping improvisations. While Stone & Rothenberg have performed together previously in Japan over their 35 year-long friendship, this is their debut New York performance.
February 24th, ISSUE presents Argentine acousmatic composer Beatriz Ferreyra and Obfuscation Morphologies, a new work by Eric Frye. Though they differ in generation, both composers employ kindred methods for orienting sonic surfaces with signature precision across electroacoustic and computer music.
Our recently inaugurated Syncretics Series continues with Eric Wubbels, acclaimed composer, pianist, and co-director of the Wet Ink Ensemble, and Adam Tendler performing a repertoire of works from David Lang, Elodie Lauten, Frances White, and Tom Johnson.