MV Carbon / Keke Hunt
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
Due to popular and terrifying demand, Cecilia Corrigan returns to the ISSUE ballroom Oct 8th. Serving as Corrigan's yearly reminder of her eventual decay and death, the evening anticipates the premiere of Motherland, a theatre and video-based narrative exploring the American electorate's psychotic mommy issues.
Ed Bear performs a newly-commissioned interpretation of John Cage’s infamous "Variations VII.” First performed at “9 Evenings” (1966), the stochastic piece included only technologically-produced or electrically-amplified sound from a variety of sources, transmitted or picked up live in the performance space.
Revisiting 9 Evenings, and exploring digital technologies and interactive design today, this symposium at the NYU Tandon School of Engineering gathers artists, engineers, cultural producers, scientists, scholars, and creative coders who advocate for the creative exploration of networks.
James Fei and Laetitia Sonami’s improvisational collaboration employs tactile interfaces and electronic systems that exhibit complex behavioral responses. Thomas Dexter presents a site-specific performance using 16mm projectors as instruments.
LoVid present a new performance work based on their ongoing project “Reaction Bubble,” using homemade electronics, analogue video, audio-visual synthesizers, and ceramics. Andy Lampert premieres a new video performance focused on the culture of corporate technology, ownership, registration, royalties and patents.
Pioneering experimental composer Morton Subotnick premieres a new collaboration with Berlin-based video artist, Lillevan. The duo of composer and turntable artist Marina Rosenfeld and analog synth innovator Ben Vida reprise their improvisational collaboration first presented during Vida’s 2013 ISSUE residency.
In October 1966, Experiments in Art and Technology produced a series of legendary performances, 9 Evenings: Theatre & Engineering, at the 69th Regiment Armory in New York. The films of each performance, produced by Billy Klüver and Julie Martin, are rarely-seen archival documents reconstructing this historic event.
Co-produced by Julie Martin and Fridman Gallery, in association with ISSUE, and curated by Julie Martin, Regine Basha, and Daniel Neumann, 9 Evenings + 50 presents three generations of composers and performers. The series celebrates the 50th anniversary of 9 Evenings: Theatre & Engineering.