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FOR concludes with a performance of Annea Lockwood’s Bayou-Borne, for Pauline. The piece is dedicated to the late Pauline Oliveros (1932 - 2016) and follows a score based on a map of the six bayous converging near Houston, Texas. The work is performed by Christian Wolff (percussion), Ross Karre (percussion), Nate Wooley (trumpet), Michael Pisaro (electric guitar), Megan Schubert (soprano voice) and Jessica Pavone (viola).

For his second project as 2017 Suzanne Fiol Curatorial Fellow, DeForrest Brown Jr. presents the premiere of Elevator to Mezzanine, a new commissioned project between Brown and Berlin-based artist, musician and writer Steven Warwick taking place at Secret Project Robot.

ISSUE presents a performance of Christian Wolff’s Edges or Exercises featuring Nate Wooley (trumpet), Christian Wolff (small percussion and melodica), Michael Pisaro (electric guitar) and Kristin Nordeval (voice). In the liner notes for Wolff’s 10 Exercises, the American composer Frederic Rzewski describes the work as “not reproducing familiar forms, but revealing, behind these, life’s unpredictability. You could say it is political; improvisatory; concerned with collaborative, non-hierarchical forms of social organization; but you can’t really say what it is like (although John Cage came close when he said, after a performance of the Exercises in New York, that it was like the classical music of an unknown civilization).”

Jonas Mekas speaks on his film Reminiszenzen aus Deutschland, 1971/1993 (edited 2012), never before screened in the U.S. (running time: 25 minutes). A non-chronological presentation of the filmmaker’s time in German forced labor camps and displaced person camps, the film details a story that begins in 1944 and goes on until 1949.

Saturday, September 9th, Byron Westbrook continues his ISSUE residency with “Threshold Variations,” an immersive environment expanding on the techniques of “Interval/Habitat” presented at Westbrook’s previous residency commission in April, 2017. “Threshold Variations” revisits the experimental staging of “Interval/Habitat,” but focuses more directly on the synaesthetic play between light amplitude and sound volume in relation to the audience’s thresholds of perception.

Brooklyn-based, Moroccan-born Selwa Abd uses the fictional character Bergsonist (derived from Gilles Deleuze’s Bergsonism) as her musical guise. For this performance, she has written a sonic ode to the decaying Internet.

ISSUE Project Room's 2017 Fall season opens at the First Unitarian Congregational Society in Brooklyn Heights with celebrated composer and process-musician William Basinski. His most recent work A Shadow In Time is a eulogy to David Bowie that explores the two artists’ shared concern with how to make time, change, and death their own.

YATTA, the performative guise of Sierra Leonean-American musician Yatta Zoker, performs at ISSUE's 2017 fall season opening. Her recently released debut EP Spirit Said Yes!, reissued on NYC imprint PTP, mixes sounds inspired by shamanism, jazz, and drone toward meditative and unsettling ends.

Stephan Moore, Scott Smallwood and Suzanne Thorpe present new work as a part of World Listening Day, which pays homage to the experimental legacy of Pauline Oliveros. Together, these artists “sound out” the sonic qualities of ISSUE’s historic McKim, Mead and White Theater at 22 Boerum Place using Paul Geluso’s 3D Sound Object invention.

Sadaf H Nava draws on global influences such as traditional middle eastern instrumentation and vocal technique, free jazz noise violin, deconstructed Dembow and Reggaeton beats, and digital hardcore tendencies, to develop and unconventional palette unraveling within a "post-dj era soap opera."

New York artist Evan Caminiti and San-Francisco-based filmmaker Paul Clipson present an audiovisual collaboration drawing from Caminiti’s most recent album Toxic City Music (Dust Editions 2017) as well as Clipson’s recent 16mm impressions of the “charged metabolism” of city life.

ISSUE presents Peter Brötzmann and Heather Leigh -- two fearless musicians capable of extreme dynamics and subtleties. Together they bring countless decades of experience at the cutting edge of speed-of-thought improvisation and deep lyrical soul, furthering their work into an "unrelenting, caterwauling hate-bomb."

ISSUE presents jazz leaders Ken Vandermark & Nate Wooley in duo performance, returning together to 22 Boerum for the first time since ISSUE’s 10 Years Alive On The Infinite Plane in 2013.

For her ISSUE debut, multi-instrumentalist and vocalist Ka Baird presents Espylacopa (A Reversal In Three Acts), an interdisciplinary collaborative work that incorporates organic and processed sounds, human voice, projected and ambient lighting with performance art, sculpture and movement.