ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
The first performance of Robert Ashley’s Vidas Perfectas, the Spanish-language version of the ground-breaking opera Perfect Lives (1983) directed by Alex Waterman, premieres at the Irondale Theater in Brooklyn. Starring Ned Sublette with Elio Villafranca and music produced by Peter Gordon.
Okkyung Lee has developed her own voice in a contemporary cello performance, improvisation and composition. Using her solid classical training as a springboard, she incorporates jazz, sounds, Korean traditional and pop music, and noise with extended techniques to create her unique blend of music.
Darmstadt: Essential Repertoire closes with the seventh annual performance of Terry Riley's minimalist classic, and instigator of a musical movement, "In C." The piece will be performed in true Darmstadt fashion, amplified and backed by former Swans drummer and La Monte Young collaborator Jonathan Kane.
Karlheinz Stockhausen's last piece of electronic music, Cosmic Pulses, will have its NY premiere as part of the fourth annual Darmstadt: Essential Repertoire Festival. With an 8-channel sound system surrounding the audience, Cosmic Pulses is a behemoth, more sonic roller coaster than traditional concert piece.
Ensemble Sospeso plays Morton Feldman’s three-hour duet for flute and keyboards, For Christian Wolff. An “extended waking dream,” it is generally regarded as the most austere of Feldman’s late works, fantastically quiet, full of pitches and yet somehow never quite emerging from a perpetual state of almost-being.
This two-night program feature a huge lineup of some of Sweden’s most exciting experimental musicians. Performances will include collaborations between U.S. and Swedish artists. This night features The Skull Defekts, Mats Gustafsson, Ikue Mori + Ida Lunden, CM von Hausswolff, and Mats Lindström + Anna Koch.
This two-night program feature a huge lineup of some of Sweden’s most exciting experimental musicians. Performances will include collaborations between U.S. and Swedish artists. The first night features The Magic State, Sewer Election, Hanna Hartmann, Altar of Flies, Kathy Hinde + Daniel Skoglund, and Leif Elggren.
Backbreakerneckbrace is a collaborative effort between video artist Dawn Bendick and audio/visual artist Michael Haleta. Timing and synchronization are key elements in their work placing the audio and visuals in a constant exchange of information within pre-composed time constraints.