ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
Branden Joseph presents a talk regarding "biomusic and the end of representation" with performances by filmmaker Bruce McClure and composer David Dunn.
Darmstadt Institute in collaboration with David Grubbs Presents: Luc Ferrari, Two Works for Ensemble with Memorized Sounds. Program includes "Tautologos III" (1969; Chicago version, 2001) and "Et tournent les sons dans la garrigue" (1977).
Z'EV is a conceptual artist, sound sculptor, and poet. After studying at CalArts with Concrete poet Emmett Williams he produced visual and sound poetries, and was included in the "Second Generation" show at the Museum of Conceptual Art in San Francisco in 1975.
Darmstadt Institute and ISSUE Project Room are proud to present an evening of contemporary keyboard music by four specialists in the experimental tradition: Michael Century, Stephen Gosling, Emily Manzo, and Kathleen Supové.
With members hailing from 14 countries on 5 continents, Ensemble Laboratorium presented its debut performance at the 2005 Lucerne Festival. A truly international ensemble, Laboratorium seeks to discover and develop an interactive exchange between the cultures represented by its members.
Preparing the Past is an “evocative” three-movement work for 4-hand piano, two vibraphones and two glockenspiels. It is inspired by the activities taking and looking at photographs—from the actual picture-taking moment through the reconsideration of that moment as a physical artifact.
At ISSUE, Mottel creates an environment where photography is digitally altered and projected, backed by a soundscape performed by Mottel on 'electronically affected' piano, oscillators and samplers. In a sense, his music is a personal take on the sum of his influences.
Sara Wintz is a writer, editor and lead singer of the pretty panicks press. DITHER, a New York based electric guitar quartet, is dedicated to an eclectic mix of experimental repertoire which spans composed music, improvisation, and electronic manipulation.