Formed in NYC in 1993, the improvising collective No-Neck Blues Band (NNCK) favors anonymity, autonomy, and obfuscation. Alongside founding member Keith Connolly (2016 AIR), they return to open ISSUE’s Fall season at First Unitarian Congregational Society in Brooklyn.
ISSUE presents the first commission from Eden Girma (2026 AIR). Part dreamscape and part summoning circle, an intimate diasporic familial archive is pieced together through the eyes of a five-year-old child.
In partnership with Franklin Furnace as part of their 50th anniversary commemoration and November release of "Back to the Present: 50 Years of Free Expression with Franklin Furnace" ISSUE presents an evening of performance and conversation.
Incorporating elements of noise, trance and minimalism, Sergei Tcherepnin (2012 AIR) presents new work for Serge Modular synthesizer.
As an improviser, Yeh is focused on developing a personal vocabulary using violin, voice, and electronics. As a sound artist/composer, Yeh works with all aspects available surrounding a work, aurally and physically, as elements key to the cumulative experience.
MV Carbon performs on cello, samplers, tape machines and oscillators, using ISSUE's multi–speaker system to portray concepts of time passage in moments of stillness. She gathers field recordings in open-air industrial and urban environments and shapes these sounds into percussive form.
Floating Points Festival 2009
Mari Kimura teams up with visual artists Liubo Borissov and Kevork Mourad, presenting everything from her virtuosic solo works of her signature bowing technique Subharmonics to realtime interactive audio visual works using ISSUE Project Room's 15 channel diffusion system.
Lesley Flanigan performs with ISSUE's unique speaker system, turning each individual speaker into a voice of its own, orchestrating them to perform as a hanging choir above her. The room resonates with sounds of her voice in multiple spaces, as she builds a choral arrangement that feeds off itself.
David and Gisela Gamper’s See Hear Now is a real-time music and video collaboration that seeks to merge the sonic and the visible, and to transport the performers and audience to a transcendent experience. For their Floating Points performance they design a unique projection installation for ISSUE's "ceiling of sound."
Betsey Biggs performs Ton Yam I (For Brian Wilson), a live improvisation deconstructing and reshaping fragments of the Beach Boy's God Only Knows into a sea of floating harmonies, feedback, and glitch: destruction and reconstruction. Shelley Burgon performs "Mirrored Ceiling," a new composition by Stephan Moore.
Liz teaches Iyengar-based vinyasa yoga and pilates.
