Upcoming Events

Member Event

Member Event: Thomas Ankersmit

Computer Music Center

ISSUE Project Room hosts a free limited engagement for up to 10 ISSUE Members with RSVP with Thomas Ankersmit on his artistic practice with the Serge Modular analog synthesizer, his main instrument since 2006.

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Glory, Glory: Live Recording with JJJJJerome Ellis & STARR busby

22 Boerum Place, Brooklyn 11201

ISSUE Project Room is honored to present a special recording session by composer, poet, and 2021 Artist-In-Residence JJJJJerome Ellis, joined by longtime collaborator S T A R R busby. This intimate event gives unique access to ISSUE Members and launches the 2025 summer membership campaign.

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Title TK

22 Boerum Place, Brooklyn 11201

ISSUE Project Room announces a surprise addition to its summer season closing weekend: the return of “talk rock” band Title TK.

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Past Events

Jennifer Walshe & Wobbly

ISSUE presents the debut NYC collaborative performance from Jennifer Walshe and San Francisco-based musician & composer Wobbly (Jon Leidecker). The artists perform solo & collaborative works ranging across their shared interest in the idiosyncrasies of digital sound and the outer reaches of online culture.

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Philosopher and musician Henry Flynt performs Everlovin’ Game On, an evocation of his best-known work: You Are My Everlovin’. Featuring solo electric violin & pre-recorded tambura, the piece brings together disparate vernaculars: Southern blues, modal jazz, Appalachian fiddle & North Indian raga.

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Japanese quartet SAICOBAB gives their NYC debut, consisting of vocalist YoshimiO of Boredoms/OOIOO and instrumentalists Yoshida Daikiti and Motoyuki "Hama" Hamamoto. The evening also features Lizzi Bougatsos & Sadie Laksa’s I.U.D. project, embedding an eccentric dub modality into industrial music.

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David Watson performs on the Great Highland Bagpipe and Scottish smallpipes in collaboration with renowned percussionist Tony Buck. Multidisciplinary artist Laura Ortman also presents new work for violin, incorporating over-rosining and heavy use of amplification in her scored and improvised works.

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