MV Carbon / Keke Hunt
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
UK-based Áine O’Dwyer's performances cross boundaries of composition, improvisation, chance, psycho-geography. Primarily a harpist, for this concert she grapples with the "king of instruments", applying her sense of melodic, structured improvisation to the pipe organ.
C. Spencer Yeh presents two new moving image works showcasing his unique perspective as an artist, organizer, and audience member. A travelogue captured via smartphone in Egypt explores surveillance, chance composition, tourism, and politics. Shot over the year 2002, a "concert film" documents approximately 40 bands.
Spanning plastic, poetry and post-rock, French artist and poet Anne-James Chaton performs. Both instrumental and physical, Stine Janvin Motland pushes the limits of the natural acoustics of the voice. Poet and programmer Ian Hatcher explores cognition in the context of digital systems.
Sound and radio artist Antje Vowinckel performs with voice and vinyl. Marc Matter mutates voical sounds via turntablist techniques. Swantje Lichtenstein's conceptual poetry and sound improvisations utilize electroacoustic elements.
Steve McCaffery, of the legendary Four Horsemen, plays, performs and discusses various 20th century sound texts. Torres explores sound as a landing point for a territorial poetry to begin. Matter and Liechtenstein focus on pre-conceptual poetry in relation to historical text-sound-works, poésie sonore and Hörspiel.
Charles Bernstein speaks on the history of PennSound, the web's largest archive of digital poetry recordings, with some close listening included. Through the consideration of Baroness Elsa von Freytag-Loringhoven, a talk by Erin Morrill explores the de-automatization of listening practices via a Dadaist mindset.
SOLD OUT! Renowned composer, instrument builder and Fluxus artist Yoshi Wada reprises performances of his early 70s work “Earth Horns with Electronic Drone”. Wada performs on four original “pipe horn” instruments with an ensemble of NY players, and is accompanied on organ and electronics by his son composer Tashi Wada.
Horn improvisor/composer Anne Guthrie and Austin-based composer/violist Vanessa Rossetto play their first collaboration. Tokyo-based composer Taku Unami performs with the object-oriented Devin DiSanto, also a first-time duo. Kevin Drumm and Jason Lescalleet combine their expansive sounds for a surely epic closing set.