ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
Launched in March 2013, ErstAEU is a new imprint from Erstwhile documenting young American post-electroacoustic musicians. This special one-time showcase night features all six artists from the first three releases: Anne Guthrie/Richard Kamerman, Graham Stephenson/Aaron Zarzutzki, and Joe Panzner/Greg Stuart.
A performance of electric guitar and voice by David Grubbs to celebrate the release of The Plain Where the Palace Stood, his first collection of songs since 2008. This concert draws material from the new album as well as from the trio Belfi / Grubbs / Pilia. 75 Dollar Bill (Rick Brown / Che Chen) open.
Yarn/Wire plays premieres two new pieces for percussion and piano quartet by two of NYC's most exciting musicians, composer/multi-instrumentalist Tyondai Braxton and trumpeter/composer Peter Evans. Evans gives solo performance of his signature trumpet improvisations, and Tyondai Braxton + LAAND play a duo set.
HPSCHD, John Cage’s legendary Gesamtkunstwerk is a mass media orgy, considered by many the wildest, largest, and loudest musical composition of the 20th century. Its very nature is inextricable from the tumult of the year it premiered, 1969. With Joel Chadabe, keyboardist Neely Bruce and video directed by Braley Eros.
Paralleling his recent series devoted to the overlap between idea-based art, culture bound illnesses, and conceptual poetics, James Hoff is devoting his residency to exploring the concept of involuntary musical imagery, or earworms. Here he gives a performative lecture on his research and compositional strategies.
To celebrate her recently back in print novels "Speedboat" and "Pitch Dark", author Renata Adler reads from both works followed by a conversation with NYRB Classics editor Edwin Frank. Adler is well known for her tenure at the New Yorker, who recently called the novels "fundamentally probing, even discomfiting, books".
EXTENDED! Saturday from 12-5pm, the subsonic artifacts of Sabisha Friedberg's "Hoffe Axiom" are installed in ISSUE's theater as a quadrophonic installation. Four subwoofers project a series of cyclical sonic traces or phantom sounds in patterns of low-end frequencies.
devynn emory, known for structured, formal, and spatially detailed dances, presents a semi-collaborative text piece with vocalist Margot Bassett: a collision of emory's formal movement structure, pushing away from the body and through the mouth to create hyper composed sounds.