MV Carbon / Keke Hunt
22 Boerum Place, Brooklyn 11201
ISSUE presents a two-part evening featuring interdisciplinary artists MV Carbon (2010 AIR) and Keke Hunt (2023 AIR).
Upcoming Events
ISSUE Member Event: Ying Liu
22 Boerum Place, Brooklyn 11201
ISSUE Members are invited to "Check in" this March. Ying Liu is a Brooklyn-based hodgepodge-ist whose work hybridizes theater, dance, video, and performance art with DIY props and an exuberant sense of play by employing consumer technology such as VR, GoPro and GPS.
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BINT (2023 AIR) and Leyya Mona Tawil (2020 SFCF) activate ISSUE Online this March in celebration of the 20th anniversary of ISSUE’s AIR program.
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Taraka / Joanna Mattrey
22 Boerum Place, Brooklyn 11201
Taraka (member of Prince Rama, 2011 AIR) returns to share “campfire songs” as a potential antidote to post-digital isolation. Joanna Mattrey opens the evening with an improvised solo set highlighting her signature approach to prepared viola.
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Tatyana Tenenbaum: Night transits Day
22 Boerum Place, Brooklyn 11201
Tatyana Tenenbaum (2022 AIR) creates a shifting tapestry of live vocal textures that unfurl, loop, emerge and disappear within the folds of ISSUE Project Room’s walls.
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Lea Bertucci & Norbert Rodenkirchen / Chris McIntyre
22 Boerum Place, Brooklyn 11201
ISSUE presents The Days Pass Quickly Immersed in the Shadow of Eternity, a new composition for sampled and live early flutes in 8-channel sound by 2015 AIR Lea Bertucci, written for master flutist, Norbert Rodenkirchen. Chris McIntyre (2006 AIR) opens the evening.
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Bang On a Can: 2026 Long Play
22 Boerum Place, Brooklyn 11201
ISSUE Project Room is proud to participate in Bang on a Can’s 2026 Long Play festival, with rare presentations and festival debuts from past ISSUE Artists-In-Residence, taking place at the 22 Boerum Pl. theater.
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Past Events
Saturday, November 12th at 8pm ET, at The Queens Museum, Dion TYGAPAW McKenzie presents their third and final work in progress presentation of Devil Woman (Obeah Woman). The piece is an opera in three parts developed as a 2022 ISSUE Artist-In-Residence.
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Sold Out! Bergsonist: As If Reality?
CPR – Center for Performance Research
ISSUE in partnership with Harvestworks and Center for Performance Research is pleased to present As If Reality?, a new work from multi-disciplinary artist, musician, designer and 2022 ISSUE Artist-In-Residence Selwa Abd (Bergsonist).
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ISSUE Member Event: Distant Pairs: Lucy Railton & Max Eilbacher - Indifferent Rocks are Rearranged into a Dam (Remote Recording)
Fridman Gallery
ISSUE is pleased to invite Members to a reception and presentation of the first ever collaborative piece between cellist and composer Lucy Railton and intermedia artist Max Eilbacher. The installation of the commissioned collaboration will be presented at Fridman Gallery in the Lower East Side.
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ISSUE is pleased to stream a new collaboration between Oakland, California-based composer, synthesist, saxophonist and electronic musician James Fei and Chinese musician and poet Yan Jun, who is based in Beijing.
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ISSUE is pleased to stream the debut collaborative presentation between New York-based producer and composer Delia Beatriz (DEBIT) and London-based sound artist and writer Flora Yin Wong. This commissioned work will be the first ever collaboration between these two artists.
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Wednesday, October 19th at 8pm ET, ISSUE is pleased to stream a new collaboration between Irmin Schmidt—legendary German pianist, conductor, composer and co-founder of experimental rock band Can—and NYC-based writer and visual artist Leah Singer.
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Dion TYGAPAW McKenzie presents their second work in progress presentation of Devil Woman (Obeah Woman), an opera in three parts—and their 2nd commissioned project as a 2022 ISSUE Artist-In-Residence. Using Techno as their main genre of focus, the work urges us to renegotiate and expand our understanding of the genre.
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Sound artist and musician Sydney Spann continues their 2022 ISSUE residency with a live performance in collaboration with artist Michelle Luong at the Ridgewood Reservoir in Highland Park, Queens. This collaborative performance is a continuation of Spann’s curiosity about childcare, sound, and psychoanalysis.