Dave Mandl in the November 2012 Issue of the WIRE on Touch.30 Live in NYC, September 13 + 17, 2012.

Visual artist Anthony McCall and guitarist and composer David Grubbs began working together in 2007 when McCall decided to tackle the issue of sound in his otherwise-silent, digital solid-light works. This interview took place in McCall's Manhattan studio in June 2012.

Michael Pisaro's foray into experimental-pop, Tombstones, reconstitutes traces and fragments of the voice. Lawrence Kumpf speaks with Pisaro, Julia Holter and Jason Brogan about Tombstones in anticipation of their October 3rd performance.

In anticipation of their final residency performance, Yarn/Wire's Russell Greenberg poses questions to composers Andrew McIntosh, Chris Burns, and Elizabeth Adams. The ensemble premieres new works by each composer in their September 29th, 2012 performance.

In the last decade, I crossed paths with Akio Suzuki many times during my own travels around Europe and Japan. I have visited him at his place in Tango, Kyoto to see his famous masterpiece, Space in the Sun. In Osaka, we performed together for five hard, straight hours. Off stage, he is a warm and gentle...

Ben Ratliff in the New York Times on Eleh's September 14th performance, part of the festival "Touch.30 Live in NYC".

I met Mazen at Penn Station about 7 years ago. I helped him navigate the chaotic “Chinatown bus” system and we had our first conversation on our way to play a series of concerts with saxophonist Jack Wright in Philadelphia that same night. I had heard a lot about Kerbaj, but was unprepared for what I heard...

Touch labelhead Mike Harding discusses cultural cross-currents and happenings across the sea with Ken Montgomery. Paralleling the life of Touch for 30 years, Montgomery's work and performance has used sound as the primary source material. Montgomery finds novel ways to work with sound and the experience of listening.

Known equally as a composer of large-scale performances and an experimental turntablist, Marina Rosenfeld is a leading voice in the hybridization between visual art and music. Rosenfeld discusses working methods and influences with fellow turntablist Philip Jeck in anticipation of his upcoming concert for Touch.30.